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  Editorial: Sound Studies and Politics (2017) author(s): Vincent Meelberg published in: Journal of Sonic Studies
  Editorial: Sound Studies and Politics
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  Listening like White Nationalists at a Civil Rights Rally (2017) author(s): Bryce Peake published in: Journal of Sonic Studies
  This soundscape and accompanying essay explore the listened-to world of white nationalists protesting a 2015 civil rights rally in the United States. Marked by countless instances of police brutality and a racially motivated mass shooting, the autumn months of 2015 echoed with the rallying cries of Black Lives Matter… cries that stoked white nationalists’ nascent conspiracy theories about white genocide and an impending “race war” between black Islam and white Christendom. Both the new Civil Rights movement and these white nationalist fears came to a head at the Justice or Else Rally in October 2015. This essay explores the acoustemological – acoustic and epistemological – world of white nationalists protesting Justice or Else, using the nexus of creativity and empiricism to understand a white nationalist standpoint acoustemology proliferating in Donald Trump’s United States.
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  The sounds of food: Defamiliarization and the blinding of taste (2017) author(s): Tara Brabazon published in: Journal of Sonic Studies
  This essay – situated within the small but emerging field of sonic food studies and gastronomic auditory cultures – is positioned in the gap between the sounds of food and the meanings derived from the behaviors and practices encircling food. In food studies literature, assumptions abound about multi-sensory engagement. Yet, the sonic components of food remain undertheorized. This sonic research article – consisting of an sonic artifact and exegesis – emphasizes and prioritizes sensory incongruity. Intentionally, the non-eating sounds of the digital and analogue interactions surrounding food are summoned. There is a reason for the focus on these interfaces. Working with Viktor Shklovsky’s theorization of defamiliarization or ostranenie (остранение), presented in his 1917 essay “Art as Device,” I am interested in reducing “automatization” and value “disruptions.” I have produced a sonic artifact that textualizes three slices of food sound: shopping for groceries, the delivery of food to a domicile, and cooking. These sounds were not slotted into a convenient narrative of a sonic documentary. They were not staged; they were not sound effects. There is a gap – of experience, expertise, perception, and meaning – between signifier and signified, the sound and its reception. The deferral of meaning creates hesitation, confusion, instability, and unsettles meaning systems.
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