Exposition

ON SOUNDSCAPES, PHONOGRAPHY, AND ENVIRONMENTAL SOUND ART (2018)

Marinos Koutsomichalis
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About this exposition

This paper proposes a pragmatic response to the broad philosophical question of what constitutes a soundscape and in what ways it might resonate through consciousness and perception. It also discusses phonography, criticizes its incapability to capture the essence of environmental sound, and explains how a series of artistic practices emerged and established themselves within the non-linearities of the recording-reproduction paradigm. Further, it elaborates on how sound art inaugurates new ways of perceiving, thinking about and representing soundscapes, accordingly. In this respect, several examples are discussed, including a selection of works by the author.
typeresearch exposition
date18/04/2016
published29/06/2018
last modified29/06/2018
statuspublished
share statusprivate
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/268080/268081
doihttps://doi.org/10.22501/JSS.268080
published inJournal of Sonic Studies
portal issue04. Issue 4


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copyrightJana Winderen
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nameLopez la Selva
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