Exposition

AUDITORY SITUATIONS: NOTES FROM NOWHERE (2018)

Budhaditya Chattopadhyay
open exposition

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As an increasingly migratory being, a wandering listener interacts with various places he/she traverses in fleeting and transitory ways, considering them as spatio-temporally evolving but gradually disorienting auditory situations. Instead of locating the source identities of sounds, the listener may relate to these situations through thought processes generated by means of a subjective perception of the various sonic phenomena occurring at these places. This essay describes an on-going project, “Doors of Nothingness,” that frames and textualizes streams of thought triggered by presence in certain immersive but evanescent auditory situations. Essentially personal and contemplative in nature, the project refers to the pervasive interaction that takes place between the constantly migrating man and his contextual sonic environment beyond sound’s immediately accessible meaning. In the context of describing the project and its methodology, this essay intends to develop a discourse on sound’s problematic relationship to locating its source, arguing that situational sonic phenomena activate thought processes that transcend mere epistemic comprehension of the source identity and involve subjectivity, contemplation, poetics, and the mood of the nomadic listener.
typeresearch exposition
date20/04/2016
published29/06/2018
last modified29/06/2018
statuspublished
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/269178/269179
doihttps://doi.org/10.22501/JSS.269178
published inJournal of Sonic Studies
portal issue04. Issue 4


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