Research Catalogue

References

• Agawu, V. Kofi, “Appropriating {African} {Music”, in The {African} Imagination in Music, ed. by (Oxford University Press, 2016), p. 305-35
• Aikio, Kaisa, “Saamenkäsityöalan Yllä lepää Synkkä Varjo: Ostajat Ovat Kaikonneet, Ja Syyksi Arvellaan Keskustelua Kulttuurisesta Omimisesta”, YLE Uutiset Sápmi Oddasat, 2021
• Britannica, Encyclopaedia, “What {Is} {Cultural} {Appropriation}?”, 2023 <https://www.britannica.com/topic/cultural-appropriation>
• Charry, Eric, Mande {Music}: {Traditional} and Modern Music of the {Maninka} and {Mandinka} of {Western} {Africa (University of Chicago Press, 2000)
• Christy, Arthur E., {East}, and West Association (U.S.), The {Asian} {Legacy} and {American} {Life}: {Essays (John Day Company, 1945)
• Cleveland, Mark, “Within and {Between} {Two} {Worlds}: {Conceiving}, {Measuring}, and {Applying} {Mixed}-{Ethnic} {Identity} in {Three} {Countries”, Journal of International Marketing, 32.2, 2024, p. 65-88 <https://doi.org/10.1177/1069031X231212859>
• Driver, Merlyn, “The {Buzz} {Aesthetic} and {Mande} {Music}: {Acoustic} {Masks} and the {Technology} of {Enchantment”, African Music: Journal of the International Library of African Music, 10.3, 2017, p. 95-118
• Effe, Alexandra, and Hannie Lawlor, The Autofictional: {Approaches}, Affordances, Forms (Springer Nature, 2022) <https://link.springer.com/content/pdf/10.1007/978-3-030-78440-9.pdf>
• Ellis, Carolyn, Tony E. Adams, and Arthur P. Bochner, “Autoethnography: {An} {Overview”, Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 12.1, 2011 <https://doi.org/10.17169/fqs-12.1.1589>
• Feder, Lisa, Jeliya at the {Crossroads}: {Learning} {African} {Wisdom} {Through} an {Embodied} {Practice (Springer Nature, 2021)
• Fosler-Lussier, Danielle, Music on the {Move (University of Michigan Press, 2020)
• Gibson, James J, “The {Theory} of {Affordances”, in The Ecological Approach to Visual Perception: Classic Edition, ed. by (Psychology Press, 2014), p. 119-35
• Green, Aaryn L, “Calling Out Culture Vultures: {Nonwhite} Interpretations of Cultural Appropriation in the Era of Colorblindness”, 2018 <http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535371632312056>
• Hannula, Mika, Juha Suoranta, and Tere Vadén, Artistic {Research} {Methodology, 2014
• Howard, Keith, “Musical Instruments As Tangible Cultural Heritage and as/For Intangible Cultural Heritage”, International Journal of Cultural Property, 29.1, 2022, p. 23-44 <https://doi.org/10.1017/S0940739121000436>
• Jackson, Lauren Michele, White {Negroes}: {When} {Cornrows} {Were} in {Vogue} and {Other} {Thoughts} on {Cultural} {Appropriation (Beacon Press, 2019)
• Jessup, Lynne, The {Mandinka} {Balafon} : {An} {Introduction} With {Notation} for {Teaching (Xylo Publications, 1983)
• Kallioniemi, Noora, and Niina Siivikko, “Anteeksipyyntöjä Ja uudelleenkehystämistä: 2010-Luvun Keskustelu Audiovisuaalisen Kulttuurin Saamelaisrepresentaatioista {Suomessa”, Lähikuva–audiovisuaalisen Kulttuurin Tieteellinen Julkaisu, 33.2, 2020, p. 42-60 <https://doi.org/https://doi.org/10.23994/lk.97384>
• Krings, Matthias, “Crazy {White} {Men} - ({Un})doing {Difference} in {African} {Popular} {Music”, in African {Appropriations}: {Cultural} {Difference}, {Mimesis}, and {Media}, ed. by (Indiana University Press, 2015), p. 229-59
• Krippendorff, Klaus, Content {Analysis}: {An} {Introduction} to {Its} {Methodology (SAGE Publications, Inc., 2019) <https://methods.sagepub.com/book/mono/content-analysis-4e/toc>
• Lenard, Patti Tamara, and Peter Balint, “What Is (the Wrong Of) Cultural Appropriation?”, Ethnicities, 20.2, 2020, p. 331-52
• Lin, Yi-Chun, “The {Effects} of {Cultural} {Appropriation}: {A} {Case} {Study} of {Taiwan}’s {Urban} {Indigenous} {People”, 2022
• McDonnell, Terence E, “Cultural {Objects}, {Material} {Culture}, and {Materiality”, Annual Review of Sociology, 49.1, 2023, p. 195-220 <https://doi.org/10.1146/annurev-soc-031021-041439>
• Nyman, Riikka, “Chisun Lettikampaus herätti Taas Puheen Kulttuurisesta Omimisesta – tästä Siinä on Kyse”, Iltalehti, 2021
• Oh, David C, “Theorizing {Cultural} {Appropriation}: {Complications} of {Globalization} and {Power} in {Hybrid} {K}-{Pop”, Situations, 17.1, 2024, p. 25-50
• Piškor, Mojca, “The {Importance} of {Being} a {Jali} {Muso}: {Some} {Aspects} of the {Role} and {Status} of the {Women} in the {Music} {Life} of {Today}’s {Gambia”, Narodna Umjetnost: Hrvatski časopis Za Etnologiju I Folkloristiku, 38.1, 2001, p. 41-66
• Rogers, Richard A, “From Cultural Exchange to Transculturation: {A} Review and Reconceptualization of Cultural Appropriation”, Communication Theory, 16.4, 2006, p. 474-503
• Shaw, Robert E., Jeffrey M. Kinsella-Shaw, and William M. Mace, “Affordance {Types} and {Affordance} {Tokens}: {Are} {Gibson}’s {Affordances} {Trustworthy}?”, Ecological Psychology, 31.1, 2019, p. 49-75
• Siems, Mathias, “The Law and Ethics of ‘cultural appropriation’”, International Journal of Law in Context, 15.4, 2019, p. 408-23
• Small, Christopher, Music of the Common Tongue: {Survival} and Celebration in {African} {American} Music (Wesleyan University Press, 2012)
• Sun, Yinan, and Daniel D. Suthers, “Cultural Affordances and Social Media”, 2021
• TENK, “The Ethical Principles of Research With Human Participants and Ethical Review in the Human Sciences in {Finland”, 2023 <https://tenk.fi/sites/default/files/2023-05/RI_Guidelines_2023.pdf>
• Tarisayi, Kudzayi Savious, “Autoethnography As a {Qualitative} {Methodology}: {Conceptual} {Foundations}, {Techniques}, {Benefits} and {Limitations”, Encyclopaideia, 27.67, 2023, p. 53-63 <https://doi.org/10.6092/issn.1825-8670/17815>
• Thomson, Nathan Riki, “Resonance: ({Re})forming an {Artistic} {Identity} through {Intercultural} {Dialogue} and {Collaboration”, 2021 <https://urn.fi/URN:ISBN:978-952-329-231-4>
• Tullberg, Markus, “Affordances of Musical Instruments: {Conceptual} Consideration”, Frontiers in Psychology, 2022
• Varto, Juha, Artistic Research: {What} Is It? {Who} Does It? {Why}? (Aalto korkeakoulusäätiö, 2018)
• Williams, Joe Luther, “Transmitting the Balafon in {Mande} Culture: {Performing} {Africa} at Home and Abroad”, 2006
• Windsor, W. Luke, and Christophe De Bézenac, “Music and Affordances”, Musicae Scientiae, 16.1, 2012, p. 102-20
• Wise, Christopher, “Nyama and {Heka}: {African} Concepts of the Word”, Comparative Literature Studies, 43.1/2, 2006, p. 19-38 <https://doi.org/10.1353/cls.2006.0045>
• Young, James O, Cultural Appropriation and the Arts (John Wiley \& Sons, 2008)