Sound Intuition

Henrik Frisk

About this exposition

This paper introduces the method of intuition as it is presented by French philosopher Henri Bergson in the book An Introduction to Metaphysics (Bergson 1912). Its usefulness as a tool to observe relevant information in artistic practice in sound is further discussed in relation to a series of works by the author. Exploring this complex field the author makes a preliminary conclusion that sound is not a thing, and it is not limited to what we listen to. It is a system of interrelated threads, the meaning of which is much larger than the actual sound itself.

type	research exposition
date	24/09/2024
published	10/10/2024
last modified	10/10/2024
status	published
share status	private
copyright	Frisk
license	CC BY-NC-ND
url	https://www.researchcatalogue.net/view/3025541/3025542
doi	https://doi.org/10.22501/JSS.3025541
published in	Journal of Sonic Studies
portal issue	26. Issue 26

id	name	copyright	license
3025551	JSS Banner	JSS	All rights reserved
3025735	concinnity_1	Frisk	All rights reserved
3025751	concinnity	Frisk	All rights reserved
3025770	tokyo	Frisk	All rights reserved
3025773	tokyo	Frisk	All rights reserved
3025799	locomotion	Frisk	All rights reserved
3025803	rain_at_night_binaural	Frisk	All rights reserved
3025817	musicex_1	Frisk	All rights reserved
3025821	beatings_binaural	Frisk	All rights reserved
3025825	musicex_2	Frisk	All rights reserved
3025829	beatings_2_bounce	Frisk	All rights reserved
3025841	KA_example_3	Frisk	All rights reserved

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Sound Intuition (2024)

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