Exposition

Everything is Here – On Nomadic Scenographic Learning in Everyday Environments (2025)

Raisa Kilpeläinen

About this exposition

This exposition aims to examine the found and experienced environments as an impulse for artistic and pedagogical potentials in performance design. The writer asks, what kind of performance design could be created through scenographic worlding? The exposition presents a research approach to the urban, built environment, which is seen as an impulse, a constant and ongoing potential for performances and performance designers’ work. The topic is contributed with photographs from the writer’s site-sensitive memos. This approach offers perspectives on contemporary scenography and its theories. It is situated in the field of art-based action research, and the intention is to combine performing arts, performance design, visual arts, and pedagogy. The exposition highlights that an observational, experiential, and environmentally oriented way of working may prove more useful in the future; designers encounter applied and nomadic forms of performance design in their careers. How can we create more sustainable performance design, encourage ecocreativity and work towards more sustainable pedagogy?
typeresearch exposition
keywordsperformance design, scenography, sustainability, environment, scenographics, nomadic scenographic learning, ecopedagogy, ecoscenography, ecocreativity, New Materialism, Environment
date18/06/2025
published30/12/2025
last modified30/12/2025
statuspublished
affiliationUniversity of the Arts Helsinki & University of Lapland
copyrightRaisa Kilpeläinen
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3056536/3056537
doihttps://doi.org/10.22501/ruu.3056536
published inRUUKKU - Studies in Artistic Research
portal issue24. Artist Pedagogy


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