The figure of Eugenia Osterberger, the forgotten Galician romantic composer

Mariña Palacio Fernández

Exposition

The figure of Eugenia Osterberger, the forgotten Galician romantic composer (2025)

Mariña Palacio Fernández

open exposition

About this exposition

Throughout our musical history, many female composers’ figures and legacies have always remained overshadowed in the male-dominated realm of 19th- and 20th-century music. Eugenia S. Osterberger (1852–1932) is one of them: a remarkable and overlooked Galician composer who blended Galician and Spanish traditional music with European academic styles. This research aims to shed light on Osterberger's life and work by performing her compositions with my instrument addressing the central question: “How can I share it engagingly with the audience?”. To carry out this project, the methodology involves a literature review of Eugenia’s context, story, and compositions; archive fieldwork to find the scores; the process of arranging and adapting her music for oboe or English horn; identification of Galician and Spanish folklore footprints and other styles in her pieces; and revision of tools for engaging audience. The culmination of this research will be to have all the essential tools to be able to create a performance that combines narration and music to bring Osterberger's legacy to life, making the audience enjoy and connect with my emotional engagement and with the composer. In addition, it is intended to make a new contribution to the repertoire for oboe and English horn and raise awareness of under-represented voices in music history, which may inspire others to rediscover forgotten composers.

type	research exposition
keywords	oboe, woman composer, Galicia, arrangements, traditional music, romanticism, English horn
date	05/11/2025
published	30/05/2025
last modified	30/05/2025
status	published
share status	private
copyright	Mariña Palacio Fernández
license	CC BY-NC-ND
language	English
url	https://www.researchcatalogue.net/view/3194534/3194535
doi	https://doi.org/10.22501/koncon.3194534
published in	KC Research Portal
portal issue	1. Master Research Projects

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name	ORIGINAL_Strings(2111)_piano reduction_Adios Lolita mia_melopee spagnole
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name	bordon de gaita 2 en casamiento
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name	alala en despedidas
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name	parte de violloncello bolero adios lolita
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name	ritmo bolero
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name	ritmo característico eugenia
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name	ritmo eugenia falas de nai
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name	Polonaise ritmo característico
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name	ritmo eugenia desaires, ritmo de polaca o de danza
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name	Au Fil De L'Eau
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name	Strings(1011)_piano reduction_En avant... La musique!_paracalle
copyright	Arquivo Berea. Biblioteca Provincial da Deputación da Coruña
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name	Strings(1011)_piano reduction_Viens
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name	Piano_clavecín_Farfadets
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name	Piano_clavecín_Mussetes
copyright	Arquivo Berea. Biblioteca Provincial da Deputación da Coruña
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name	Piano_clavecín_Petits Papillons Blancs
copyright	Arquivo Berea. Biblioteca Provincial da Deputación da Coruña
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name	Piano_clavecín_Danse Jaquelinette!
copyright	Arquivo Berea. Biblioteca Provincial da Deputación da Coruña
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name	En_Avant..._La_Musique!-Partitura e partes
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name	Farfadets-Partitura e partes
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name	Petits_Papillons_Blancs-Partitura e partes
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comments: 1 (last entry by Ellie Nimeroski - 05/03/2025 at 22:31)

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The figure of Eugenia Osterberger, the forgotten Galician romantic composer (2025)

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