Exposition

Trumpeting at the Court of Christian IV (2025)

Ólafur Elliði Halldórsson

About this exposition

Two of the oldest manuscripts containing trumpet music lie in the Royal Danish Library and were both written in Denmark around the year 1600. They contain hundreds of fanfare-like melodies with little explanation as to how, why, or where they should be played. Written by trumpeters with limited musical education, the manuscripts present a unique challenge in deciphering distinct and personal notation styles. The aim of this research is to shed a new light on the so-called Thomsen and Lübeck manuscripts by stepping into the shoes of the trumpeters of the late renaissance and early baroque. The court of Christian IV (1577-1648), King of Denmark and Norway, was one of the most influential courts of early 17th century Europe and employed a respectable number of at least 123 trumpeters throughout Christian’s 60 year reign. By examining the role and duty of those trumpeters, as well as the culture around trumpet playing in the 16th and 17th centuries we gain a new insight into the festive, vigorous, and loud music of the royal courts. Improvisation plays a big part in interpreting the Danish manuscripts. By applying improvisation techniques described by Italian and German trumpeters in the 17th century, as well as considering the capabilities and limitations of historical instruments, new life is brought to fanfares which might appear monotonous and repetitive at first glance.
typeresearch exposition
keywordsTrumpet, Denmark, 17th century, improvisation, 16thcentury, baroque trumpet, natural trumpet
date18/11/2024
published22/05/2025
last modified22/05/2025
statuspublished
share statusprivate
copyrightÓlafur Elliði Halldórsson
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3197849/3197850
doihttps://doi.org/10.22501/koncon.3197849
published inKC Research Portal
portal issue1. Master Research Projects


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comments: 1 (last entry by Inês de Avena Braga - 05/03/2025 at 11:38)