Exposition

Overcoming Interpretative Challenges in Contemporary Balkan Guitar Compositions: A Performer’s Approach (2025)

Carmen Montañez Corpas
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About this exposition

My first encounter with the music of Balkan composers for guitar, such as Dušan Bogdanović, was a technical and expressive challenge due to its complex rhythmic structures and unconventional harmonies. Over time, as I delved deeper into this repertoire, I identified recurring elements in the works of other composers from the same region, such as Atanas Ourkouzounov. This sparked my interest in investigating the specific technical difficulties that arise when interpreting this music on the guitar. The aim of this study is to analyze these difficulties and propose strategies to overcome them to facilitate their interpretation. Additionally, it seeks to raise awareness of these compositions which, despite their musical richness, are not frequently included in guitar concert programs. As part of this research, I have developed an experimental section focused on three key aspects: odd meters and polyrhythms, percussive elements and timbral exploration. For each of these aspects, I have selected specific passages and worked with various methodologies. In most cases, I propose exercises that have proven useful in addressing these aspects and also explain the interpretative decisions I have incorporated personally. Some of these exercises were designed by me, others were suggested by Zoran Dukić during the lessons I have received, and some emerged spontaneously, as a combination of personal inspiration, adaptation to my technical difficulties and creativity developed during the study process.
typeresearch exposition
keywordsClassical guitar, 21st century, creative practice, balkan
date20/11/2024
published14/07/2025
last modified14/07/2025
statuslimited publication
copyrightCarmen Montañez
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3208746/3481902
published inKC Research Portal
portal issue3. Internal publication


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