Exposition

Accompanying Public Amateurs and Ignorant Generalists: Propositions for (Experimental) Pedagogical Approaches to PhD in Art and Scientific-Artistic Projects (2025)

Ruth Anderwald, Leonhard Grond

About this exposition

Based on our experience conducting our own independent artistic-scientific and practice-based research projects and the experiences made over the last years leading the Doctoral Programme for Artistic Research at the University of Applied Arts and now working at ARC Artistic Research Center and their Doctor Artium programme, at mdw University of Music and Performing Arts Vienna, we propose new and unconventional approaches to supervising and supporting doctoral artistic research work, whether their focus is more practice-based, theory-oriented or artistic-scientific. Design approaches, such as the pooling of supervision and strategically introducing moments of epistemic decompression, can support projects as well as candidates in a more sustainable and pluri-vocal manner, ultimately leading to the artist-researchers’ long-term independence, transcultural versatility and well-being. Reflexivity, methodology, and (somatic) learning theory are key points, as well as defining and conceptualising possibilities for supporting and supervising a line of work, which is directed into the unknown, unknowable, and uncertain, or located within limit-experiences.
typeresearch exposition
keywordsartistic research, doctoral research, experimental pedagogies, somatic learning
date08/12/2024
published30/12/2025
last modified30/12/2025
statuspublished
affiliationARC Artistic research Center, mdw University of Music and Performing Arts, Vienna
copyrightauthors and image copyright holders
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3265756/3265757
doihttps://doi.org/10.22501/ruu.3265756
published inRUUKKU - Studies in Artistic Research
portal issue24. Artist Pedagogy


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