Exposition

Additive Photography (2019)

Ives Maes

About this exposition

Since the invention of photography, there have been numerous hybrid experiments between photography and sculpture that testify to a continuous influence of sculpture on photography and vice versa. In my own visual work, I am researching the physical, sculptural and architectural aspects of photography. I am analysing a number of historical experiments, from the 16th century camera obscura pavilion to 21st century digital processes, which I apply to my artistic practice. A particularly important example is the photosculpture process of François Willème. In the late 1850s, he aimed at reproducing sculpture with the help of photography, creating a distinctive union between the two media. His method to extrude sculptures from photographs laid the ground principles for the 3D scanner and printer. In this exposition I bring to the fore how the work of Willème propelled its significant influence towards today, and how it inspired me to create new visual work. At the same time, this experience constitutes an exemplary case study on how theoretical research can steer the creation of visual research.
typeresearch exposition
keywordsartistic research, Sculpture, PHOTOGRAPHY, installation, photosculpture, visual art, historically informed photography, 3D printing, 3D scanning, panorama
date11/03/2017
published18/01/2019
last modified18/01/2019
statuspublished
affiliationKASK School of Arts Ghent / University Ghent
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/343349/343350
doihttps://doi.org/10.22501/jar.343349
published inJournal for Artistic Research
portal issue17. 17
external linkhttps://expertise.hogent.be/en/projects/the-future-of-yesterday-can-only-become-present-as-past-een-onderzoek-naar-de-wisselwerking-tussen-de-architectuur-van-wereldtentoonstellingen-en-een-ruimtelijke-vorm-van-fotografie(fc42411e-8788-4d1e-98c8-a15f464cf8ff).html


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id name copyright license
406895 Fig. 2 Ives Maes All rights reserved
406898 Fig. 3 Ives Maes All rights reserved
406901 Fig. 4 Ives Maes All rights reserved
406908 Fig. 5 Ives Maes All rights reserved
406911 Fig. 6 Ives Maes All rights reserved
406920 Fig. 7 Ives Maes All rights reserved
406923 Fig. 8 Ives Maes All rights reserved
406926 Fig. 9 Ives Maes All rights reserved
406927 Fig. 10 Ives Maes All rights reserved
406936 Fig. 1 ives maes All rights reserved
407609 Fig. 11 public domain All rights reserved
407610 Fig. 12 public domain All rights reserved
407612 Fig. 13 public domain All rights reserved
407614 Fig. 14a public domain All rights reserved
407616 Fig. 14b public domain All rights reserved
407618 Fig. 15 public domain All rights reserved
407619 Fig. 16 public domain All rights reserved
407620 Fig. 17 public domain All rights reserved
407751 Fig. 18 Ives Maes All rights reserved
407752 Fig. 19 Ives Maes All rights reserved
407753 Fig. 20 Ives Maes All rights reserved
407756 Fig. 21a Ives Maes All rights reserved
407757 Fig. 21b Ives Maes All rights reserved
407758 Fig. 21c Ives Maes All rights reserved
407759 Fig. 22 Ives Maes All rights reserved
407760 Fig. 23 Ives Maes All rights reserved
407761 Fig. 24 Ives Maes All rights reserved
407762 Fig. 25a Ives Maes All rights reserved
407763 Fig. 25b Ives Maes All rights reserved
407766 Fig. 26 Ives Maes All rights reserved
407862 Fig. 27 public domain All rights reserved
407863 Fig. 28 public domain All rights reserved
407864 Fig. 29 public domain All rights reserved
407865 Fig. 30 public domain All rights reserved
407866 Fig. 31 public domain All rights reserved
407867 Fig. 32 public domain All rights reserved
407897 Fig. 33a Ives Maes All rights reserved
407899 Fig. 34a Ives Maes All rights reserved
407900 Fig. 35b Ives Maes All rights reserved
407901 Fig. 34b Ives Maes All rights reserved
407903 Fig. 35a Ives Maes All rights reserved
407904 Fig. 36a Ives Maes All rights reserved
407905 Fig. 36b Ives Maes All rights reserved
407908 Fig. 37a Ives Maes All rights reserved
407909 Fig. 37b Ives Maes All rights reserved
407910 Fig. 37c Ives Maes All rights reserved
407911 Fig. 37d Ives Maes All rights reserved
407912 Fig. 38a Ives Maes All rights reserved
407914 Fig. 38b Ives Maes All rights reserved
407915 Fig. 39a Ives Maes All rights reserved
407916 Fig. 39b Ives Maes All rights reserved
407917 Fig. 39c Ives Maes All rights reserved
407918 Fig. 39d Ives Maes All rights reserved
407925 Fig. 33b Ives Maes All rights reserved
408046 Fig. 40 Ives Maes All rights reserved
408047 Fig. 41 Ives Maes All rights reserved
408048 Fig. 42 Ives Maes All rights reserved
408049 Fig. 43 Ives Maes All rights reserved
408050 Fig. 44 Jan Kempenaers All rights reserved
408051 Fig. 45 Jan Kempenaers All rights reserved
408052 Fig. 46 Jan Kempenaers All rights reserved
408053 Fig. 47 Rik Vannevel All rights reserved
527811 Tulips Ives Maes All rights reserved
527820 tulips 3D Ives Maes All rights reserved
527826 Museum Dhondt-Dhaenens Ives Maes All rights reserved
527834 Prada Foundation Ives Maes All rights reserved
527836 Tar Paper Shack Ives Maes All rights reserved
528045 Nude Beach Bound Ives Maes All rights reserved

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