Exposition

Wedding in Ojców - Examination of clarinet sonorities within the first nationalistic ballet suite of Poland (2025)

Wladyslaw Lech

About this exposition

In 1823, Wedding in Ojców, a ballet composed through the efforts of several prominent Warsaw-based composers, premiered to great acclaim and achieved extraordinary popularity, with over 700 performances in 19th-century Warsaw alone. Despite this success, the work has largely disappeared from the classical music canon, raising questions about its historical neglect and performance potential today. This research focuses on a suite from Wedding in Ojców as a representative example of early 19th-century nationalistic music and explores the practical and artistic considerations a clarinetist should take into account when preparing a historically informed performance of this work. To address this, the study involves an examination of surviving 19th-century scores, ethnographic documentation of the Ojców region—the setting of the ballet—and comparative analysis of modern folk performance practices, drawn from commercial and live recordings by Polish folk ensembles. By juxtaposing historical and contemporary sources, the research provides interpretive insights that inform performance practice and instrument selection. The findings support the development of a historically aware yet creatively adaptive performance approach, contributing to both the revival of neglected repertoire and the fusion of folk and early music traditions in ensemble settings.
typeresearch exposition
keywordsFolk, folk music, 19th century, performance practice, Kurpinski, Elsner, Stefani, dance, ballet suite, ballet
date11/05/2025
published14/07/2025
last modified14/07/2025
statuslimited publication
copyrightWladyslaw Lech
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/3559802/3559803
published inKC Research Portal
portal issue3. Internal publication


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