Exposition

SOUND IDENTITY (2020)

Sara Maganzini
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About this exposition

The purpose of my Research is to explore why at the beginning of the XX° century wind orchestras in different Countries in Europe sounded so singular and why nowadays the sound is so similar one to the other. Haven’t found any book which speaks about this specific topic I decided to research about the subject hoping it will maybe be useful or interesting not only for my development as conductor/musician but also to other people, be they conductors, composers, musicians or just wind orchestra music lovers. Above historical issues I will also include some artistic material such as examples, audio samples and scores which support the development of my Research. Special focus will be given to the analysis of a couple of significant original scores from the first decade of the XX° century which will be the guide line throughout my research.
typeresearch exposition
keywords20th century, Wind Orchestra, repertoire, europe, Art of Interpretation
date29/11/2017
published15/06/2020
last modified15/06/2020
statuspublished
share statusprivate
copyrightSara Maganzini
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/409183/409184
published inKC Research Portal
portal issue1. Master Research Projects


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715500 Michele_Carafa_by_Antoine_Maurin Antoine Maurin All rights reserved
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715533 main-image wikipedia All rights reserved
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778825 paul-gilson-ec827170-d0bf-4d66-a764-b7a4cc97fe6-resize-750 public domain Public domain
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