Research Catalogue

About this exposition

This research explores creation as a form of violence that operates through interruption, erasure, and bodily pressure rather than through visible conflict or aggression. Through a conference-performance, writing is treated as an unstable action: it begins, stops, fails, and is physically destroyed without revealing its content. The work focuses on moments where creation resists completion, and where decisions to stop, delete, or abandon become central gestures. By placing the performer behind the audience and withholding textual legibility, the research shifts attention from meaning to process, from narrative to tension. Creation is approached not as expression or inspiration, but as a concrete and irreversible experience that acts upon the body and its limits.

type	research exposition
keywords	performance, creation, violence, writing, body, interruption, autofiction
date	13/01/2026
last modified	13/01/2026
status	in progress
share status	public
affiliation	Accademia di Belle Arti di Roma
copyright	QIAN XICHEN,2026
license	CC BY-NC-ND
language	English
url	https://www.researchcatalogue.net/view/4114244/4114245

name	La violenza della creazione
copyright	QIAN
license	CC BY-NC-ND
usages	picture

name	Ogni inizio è come premere su una ferita.
copyright	QIAN
license	All rights reserved
usages	video

name	La performance
copyright	QIAN
license	CC BY-NC-ND
usages	text

name	Azione concreta
copyright	QIAN
license	CC BY-NC-ND
usages	text

name	Il linguaggio come pressione, non come narrazione
copyright	QIAN
license	CC BY-NC-ND
usages	text

name	I’m Too Sad to Tell You / Bas Jan Ader
copyright	QIAN
license	All rights reserved
usages	video

name	La violenza creazione
copyright	QIAN
license	CC BY-NC-ND
usages	picture

name	La violenza creazione2
copyright	QIAN
license	CC BY-NC-ND
usages	picture

name	La violenza della creazione
copyright	QIAN
license	All rights reserved
usages	text

name	Situazione performativa
copyright	QIAN
license	All rights reserved
usages	text

name	Scrittura e interruzione
copyright	QIAN
license	All rights reserved
usages	text

name	Distruzione senza visibilità
copyright	QIAN
license	All rights reserved
usages	text

name	Il corpo come superficie
copyright	QIAN
license	All rights reserved
usages	text

name	Lingua come pressione
copyright	QIAN
license	All rights reserved
usages	text

name	Immagine e irreversibilità
copyright	QIAN
license	All rights reserved
usages	text

name	Posizione metodologica
copyright	QIAN
license	All rights reserved
usages	text

name	Conclusione
copyright	QIAN
license	All rights reserved
usages	text

name	La creazione non è mai gentile.
copyright	QIAN
license	All rights reserved
usages	text

name	È sempre lei a colpirmi per prima.
copyright	QIAN
license	All rights reserved
usages	text

name	Il linguaggio mi tira, mi costringe a dire ciò che non voglio.
copyright	QIAN
license	All rights reserved
usages	text

name	E io posso solo risponderle con la distruzione.
copyright	QIAN
license	All rights reserved
usages	text

name	La creazione mi taglia, poi mi chiede di ricucire.
copyright	QIAN
license	All rights reserved
usages	text

name	Ho sempre pensato che fossi io a scrivere…
copyright	QIAN
license	All rights reserved
usages	text

name	Ma poi ho capito: è lei a scrivere me
copyright	QIAN
license	All rights reserved
usages	text

name	L’opera rimane…
copyright	QIAN
license	All rights reserved
usages	text

name	Bas Jan Ader. I'm Too Sad to Tell You
copyright	QIAN
license	All rights reserved
usages	picture

name	turn2
copyright	QIAN
license	All rights reserved
usages	picture

name	Esempio visivo: l’irreversibilità del tempo
copyright	QIAN
license	All rights reserved
usages	text

name	VII. Relazione metodologica con Sergio Blanco
copyright	QIAN
license	All rights reserved
usages	text

name	VIII. Conclusione: la creazione come esperienza concreta
copyright	QIAN
license	All rights reserved
usages	text

name	Bas Jan Ader in search of the miraculous 1975
copyright	QIAN
license	All rights reserved
usages	picture

name	Bas Jan Ader I'm Too Sad to Tell You 1970
copyright	QIAN
license	All rights reserved
usages	text

name	Bas Jan Ader ha costruito
copyright	QIAN
license	All rights reserved
usages	text

name	Marina Abramović
copyright	QIAN
license	All rights reserved
usages	picture

name	Marina Abramović
copyright	QIAN
license	All rights reserved
usages	text

name	Marina Abramović2
copyright	QIAN
license	All rights reserved
usages	picture

name	Marina Abramović1
copyright	QIAN
license	All rights reserved
usages	picture

name	Roman Opalka
copyright	QIAN
license	All rights reserved
usages	picture

name	Nel lavoro di Roman Opalka
copyright	QIAN
license	All rights reserved
usages	text

name	12345
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license	All rights reserved
usages	picture

name	a clockwork orange
copyright	QIAN
license	All rights reserved
usages	video

name	BLACK SWAN
copyright	QIAN
license	All rights reserved
usages	video

name	BLACK
copyright	QIAN
license	All rights reserved
usages	text

name	Arancia meccanica di Stanley Kubrick
copyright	QIAN
license	All rights reserved
usages	text

name	Taglio e riorganizzazione della realtà
copyright	QIAN
license	All rights reserved
usages	text

name	Taglio di sé stessi
copyright	QIAN
license	All rights reserved
usages	text

name	Violazione degli altri
copyright	QIAN
license	All rights reserved
usages	text

name	La violenza della creazione mag
copyright	QIAN
license	All rights reserved
usages	picture

name	background
copyright	QIAN
license	All rights reserved
usages	picture

name	music back
copyright	Qian
license	All rights reserved
usages	audio

name	enter
copyright	QIAN
license	All rights reserved
usages	background

name	palla di carta
copyright	QIAN
license	All rights reserved
usages	picture

name	strappare
copyright	QIAN
license	All rights reserved
usages	picture

name	carta2
copyright	QIAN
license	All rights reserved
usages	picture

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La violenza della creazione (last edited: 2026)

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