Exposition

Embodiment and Empowerment: Karlheinz Stockhausen's "ORCHESTER-FINALISTEN" (2019)

Elisabeth Lusche

About this exposition

"Karlheinz Stockhausen's 'ORCHESTER-FINALISTEN': Musical Embodiment and Empowerment" is a research into the preparation and performance of Stockhausen's "ORCHESTER-FINALISTEN" from "MITTWOCH aus LICHT." This project seeks to identify specific links between music and personal identity and create a toolkit for performers to become empowered in their own bodies on stage. This research takes for its main study subjects the cast of "ORCHESTER-FINALISTEN" for the 2019 "aus LICHT" production of the Koninklijk Conservatorium, Dutch National Opera, Holland Festival, and Stockhausen Stiftung. Through interviews, rehearsal observation, and personal experience, this project will investigate how preparing and performing "ORCHESTER-FINALISTEN" changes the relationship between music and its performer in terms of embodiement and empowerment. This research will also isolate specific techniques for studying, teaching, and rehearsing "ORCHESTER-FINALISTEN" for future productions.
typeresearch exposition
keywordsgender, audience, sexuality, performance, dialogue, Karlheinz Stockhausen
date24/02/2018
published26/09/2019
last modified26/09/2019
statuslimited publication
share statusprivate
affiliationKoninklijk Conservatorium
copyrightElisabeth Lusche
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/440727/440728
published inKC Research Portal
portal issue3. Internal publication


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