Becoming a baroque bassoon player after having studied the recorder: (2019)
Jeong Guk LeeSimple Media
| id | name | copyright | license |
|---|---|---|---|
| 475794 | Table of contents & introduction | . | All rights reserved |
| 475796 | Table of contents & introduction | 0 | All rights reserved |
| 475798 | interview | 0 | All rights reserved |
| 529803 | preliminary version | Jeong-guk Lee | All rights reserved |
| 530562 | preliminary version Jeong-guk Lee | 1 | All rights reserved |
| 530566 | preliminary version Jeong-guk Lee | 1 | All rights reserved |
| 530570 | preliminary version Jeong-guk Lee | Jeong-guk Lee | All rights reserved |
| 530577 | preliminary version Jeong-guk Lee | 1 | All rights reserved |
| 574872 | chapter 3 | . | All rights reserved |
| 574988 | 1.Introduction | JGLee | All rights reserved |
| 574991 | 2. Why study the Baroque bassoon after the recorder | JGLee | All rights reserved |
| 574994 | 2. Why study the Baroque bassoon after the recorder? | JGLee | All rights reserved |
| 574998 | 3. Difficulties in the beginning 3.1. Posture and position | JGLee | All rights reserved |
| 575007 | 3.2 Breathing and air speed | JGLee | All rights reserved |
| 575017 | 3.3 Embouchure | JGLee | All rights reserved |
| 575023 | 2. Why study the Baroque bassoon after the recorder? | JGLee | All rights reserved |
| 575031 | 3.4 Articulation | JGLee | All rights reserved |
| 575035 | 4. Practical / musical approaches Comparison of a piece played on both recorder and bassoon | JGLee | All rights reserved |
| 575038 | 할아버지의 시계 piano | JGLee | All rights reserved |
| 575070 | bassoon | JGLee | All rights reserved |
| 575101 | 4. Practical / musical approaches. Comparison of a piece played on both recorder and bassoon | JGLee | All rights reserved |
| 575102 | Figure 19 recorder | JGLee | All rights reserved |
| 575109 | Figure 20 bassoon | JGLee | All rights reserved |
| 575116 | Figure 21 bassoon | JGLee | All rights reserved |
| 575123 | Figure 22 bassoon | JGLee | All rights reserved |
| 575128 | Figure 22 recorder | JGLee | All rights reserved |
| 575137 | Figure 23 bassoon | JGLee | All rights reserved |
| 575141 | Figure 23 recorder | JGLee | All rights reserved |
| 575189 | Figure 24 bassoon | JGLee | All rights reserved |
| 575200 | Figure 24 recorder | JGLee | All rights reserved |
| 575204 | Figure 25 bassoon | JGLee | All rights reserved |
| 575208 | Figure 25 recorder | JGLee | All rights reserved |
| 577193 | Title page | Jeong-guk Lee | All rights reserved |
| 577195 | Table of contents | Jeong-guk Lee | All rights reserved |
| 577197 | 1.Introduction | Jeong-guk Lee | All rights reserved |
| 577199 | 3. Difficulties in the beginning 3.1. Posture and position | Jeong-guk Lee | All rights reserved |
| 577200 | 2. Why study the Baroque bassoon after the recorder? | Jeong-guk Lee | All rights reserved |
| 577201 | 3. Difficulties in the beginning 3.1. Posture and position | Jeong-guk Lee | All rights reserved |
| 577203 | 3.2 Breathing and air speed | Jeong-guk Lee | All rights reserved |
| 577204 | 3.3 Embouchure | Jeong-guk Lee | All rights reserved |
| 577205 | 3.4 Articulation | Jeong-guk Lee | All rights reserved |
| 577206 | 4. Practical / musical approaches. Comparison of a piece played on both recorder and bassoon | Jeong-guk Lee | All rights reserved |
| 577210 | 5. Conclulsion | Jeong-guk Lee | All rights reserved |
| 577212 | 6.Bibliography | Jeong-guk Lee | All rights reserved |
| 579307 | audio 8 | Jeong-guk Lee | All rights reserved |
| 579310 | audio 9 | Jeong-guk Lee | All rights reserved |
| 579436 | Table of contents | Jeong-guk Lee | All rights reserved |
| 579439 | 1.Introduction | Jeong-guk Lee | All rights reserved |
| 579446 | 3.3 Embouchure | Jeong-guk Lee | All rights reserved |
| 579459 | audio 9 | Jeong-guk Lee | All rights reserved |
| 579460 | audio 8 | Jeong-guk Lee | All rights reserved |
Comments are only available for registered users.