Exposition

Bach and Numbers: Analysis of His Church Cantatas through Biblical Numerology (2019)

Min-ho Jeong
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About this exposition

Many years of singing religious texts, especially that of Johann Sebastian Bach (1685-1750), as a counter tenor made me question if there were other methods of interpreting Bach’s music beyond focusing only on musical affects or harmonies. Among the many interpretative methods, I became interested in biblical numerology, interpreting numerical values with religious symbolisms, and was motivated to research the relationship between biblical and musical numeric symbolisms in Bach’s church cantatas. As many of his writings show, Bach’s music is deeply rooted in the Lutheran faith and Protestant traditions and, a detailed biblical approach would serve as one of the many good ways for the performer to deepen his or her understanding of Bach’s music and to enrich the interpretation in performance. The discovery of numeric insights in Bach’s church cantatas helped me better understand and interpret his emotional expressions and depth of faith. I believe this knowledge will be useful for other performers in making a musical interpretation more compelling and communicative. The objective of this research exposition is to suggest biblical numerology as a method to analyze and understand J.S. Bach’s church cantatas and to reveal Bach’s theological intentions by analyzing the correlation between the biblical and musical numeric values found in his solo cantatas for alto (BWV 82, 169) and how they apply in our understanding of the biblical symbolism in the text and the music.
typeresearch exposition
date18/06/2018
published21/10/2019
last modified21/10/2019
statuslimited publication
share statusprivate
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/481188/589827
published inKC Research Portal
portal issue3. Internal publication


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