Exposition

’The language of the first jazz violinists applied to works of jazz-inspired classical composers. (2020)

David Carmona Navarro
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About this exposition

In the early twentieth century the jazz was born and with this a new way to play the violin. In this research we will analyze how this violinists did it and how we can use it in the classical music that was composed in that period. Recording myselfe I will study my improve. The pieces will be taken for that experiment will be pieces composed by Gershwin.
typeresearch exposition
keywordsJazz, Violin, twentieth century, Gershwin, Art of Interpretation
date09/12/2018
published19/08/2020
last modified19/08/2020
statuslimited publication
share statusprivate
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/544505/544506
published inKC Research Portal
portal issue3. Internal publication
external link• https://www.youtube.com/watch?v=K4NSiGwbnes&list=PLCCrGZiegMp-YelG3fk-DeGTf75YQzYu4


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id name copyright license
544543 Research Proposal David. David Carmona Navarro All rights reserved
635084 she's funny that way score Charles N Dielsen All rights reserved
635086 She's funny that way Stuff smith Charles N. Daniels All rights reserved
729759 11st November deadline general research exposition. David Carmona Navarro All rights reserved
800684 Sweet_To_Mama Big Bill Broonzy All rights reserved
800696 Lonesome Blues - Eddie Anthony Eddie Anthony All rights reserved
806596 Research figures - audio David Carmona All rights reserved
806633 Audio Files from the research Text David Carmona All rights reserved
808535 (1)figure 1.2.2. David Carmona Navarro All rights reserved
808539 (1)figure 1.2.2. David Carmona Navarro All rights reserved
808569 (2)figure 1.3.2 David Carmona Navarro All rights reserved
808573 (3)figure 1.3.3. David Carmona Navarro All rights reserved
808578 (4)figure 1.3.4 David Carmona Navarro All rights reserved
808583 (5)figure 1.3.8-9 David Carmona Navarro All rights reserved
808586 (6)figure 4.1 David Carmona Navarro All rights reserved
808593 (7)figure 4.2 David Carmona Navarro All rights reserved
808596 (8)figure 4.3 David Carmona Navarro All rights reserved
808600 (9)figure 4.4 David Carmona Navarro All rights reserved
808603 (10)figure 4.6 David Carmona Navarro All rights reserved
808610 (11)figure 4.7 David Carmona Navarro All rights reserved
808613 (13)figure 4.9 David Carmona Navarro All rights reserved
808617 (14)figure 4.1.1 David Carmona Navarro All rights reserved
808620 (15)figure 4.1.2 David Carmona Navarro All rights reserved
808623 (16)figure 4.1.3 David Carmona Navarro All rights reserved
808626 (17)figure 4.1.4 David Carmona Navarro All rights reserved
808632 (18)figure 4.1.5 David Carmona Navarro All rights reserved
808635 (19)figure 4.1.6 David Carmona Navarro All rights reserved
808639 (20)figure 4.2.1 David Carmona Navarro All rights reserved
808643 (21)figure 4.2.2 David Carmona Navarro All rights reserved
808647 (23)figure 4.2.5 David Carmona Navarro All rights reserved
808650 (24)figure 4.2.6 David Carmona Navarro All rights reserved
808653 (25)figure 4.2.7 David Carmona Navarro All rights reserved
808656 (26)figure 4.2.8 David Carmona Navarro All rights reserved
808660 (27)figure 4.2.9 David Carmona Navarro All rights reserved
808664 (28)figure 4.3.1 David Carmona Navarro All rights reserved
808667 (29)figure 4.3.2 David Carmona Navarro All rights reserved
808669 (30)figure 4.3.3 David Carmona Navarro All rights reserved
808672 (31)figure 4.3.5 David Carmona Navarro All rights reserved
808675 (32)figure 4.3.6 David Carmona Navarro All rights reserved
809438 (12)figure 4.8 David Carmona Navarro All rights reserved
809484 (22)figure 4.2.4 David Carmona Navarro All rights reserved
809507 Research Text David Carmona Navarro All rights reserved
809516 The language of jazz violinists applied to works of jazz-inspired composers Research David Carmona Navarro All rights reserved

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