Exposition

The Influence of the use of mensural notation on the performance of polyphony nowadays (2022)

Korneel Van Neste
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The use of modern scores has changed the original relationship between reading and listening in singing polyphony. The thesis of this paper is that re-adopting the practice of reading from mensural notation as printed in part-books/choirbooks influences the experience and the outcome of the performance for both the singers and the audience. Interviews reveal that there is a different way of looking at polyphony when using mensural notation, as you are forced to listen to the others to stay together (whereas in modern scores, one could also look). Reading from choirbooks has the effect of creating a greater togetherness and synergy in between the singers. The absence of barlines in the scores creates a reliance on and a better feeling for what is called ‘tactus’. A significant practical disadvantage is that due to the lack of experience in reading mensural notation in a majority of singers, it takes more time and practice/rehearsals to get to a concert-worthy level, which in a ‘time-is-money’ world is not so desirable. Modern-day sources addressing the advantages and disadvantages of using mensural notation in polyphony performances nowadays are almost entirely lacking. However, a few sources regarding unique aspects of mensural notation tend to confirm that by reading from the original notation, one looks at the music in a different way, needing more knowledge and feeling for the music on a structural level in order to be able to perform it.
typeresearch exposition
keywordsArt of Interpretation
date17/12/2018
published11/07/2022
last modified11/07/2022
statuslimited publication
share statusprivate
copyright-
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/548089/729473
published inKC Research Portal
portal issue3. Internal publication


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