Sculptural sounds: a co-compositional approach

Eleni-Ira Panourgia

About this exposition

This article discusses a specific approach to sound from a sculptural perspective, based on an innovative process named "co-composition", in which physical and sonic material can be concurrently produced, rearranged and transformed in a solo environment. This approach investigates ways of working with the direct response of materials to performed actions by mapping actions of making in ways that can inform new actions through sound. I question the way sculptural sounds are caused and how sounds and their real-time transformation could influence the way I understand the process as a practitioner and researcher, and how this is experienced by the audience. How does the process change once sound is transformed to something different, new? How does this affect practising with sound as more than sound? To achieve this, I develop new ways of articulating aesthetic decisions from one medium to the other on the basis of their "stories" as they are manifested through traces of material manipulation.

type	research exposition
keywords	sound, performance, co-composition, interactive, sculpture, sound art, Sculpture
date	30/03/2019
published	06/05/2020
last modified	06/05/2020
status	published
share status	private
affiliation	University of Edinburgh
license	All rights reserved
url	https://www.researchcatalogue.net/view/597625/597626
doi	https://doi.org/10.22501/ruu.597625
published in	RUUKKU - Studies in Artistic Research
portal issue	13. Sonic Art, Sonic Practice, and Sonic Thought: Artistic Research and Music

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Sculptural sounds: a co-compositional approach (2020)

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