Composition Master
Research supervisors: Peter Adriaansz, Samuel Vriezen
Sounding the guide
What kind of notation can allow flow in an indeterminate music practice?
In this research I was focusing on collaborating with ensembles and realizing various techniques of notation in an indeterminate music practices.
As a motif for musical force I had in my mind is Flow. In the history other composers were also focusing on other levels of musical freedom such as Intuitive Music by Karlheinz Stockhausen and Deep Listening practice by Pauline Oliveros. I was researching their methods and concepts behind their decisions. After drawing conclusions I had to concentrate on more practical levels of compositions. I was looking for different types of vocabulary with musicians, and various kinds of methods of performance in concerts.