Exposition

Combining Coco, Arranging for Het Coco Collectief (2014)

Jannelieke Schmidt
no media files associated
open exposition
1

About this exposition

Name: Jannelieke Schmidt Main Subject: Classical Singing Research Coach: Patrick van Deurzen Title of Research: Combining Coco, Arranging for “Het Coco Collectief” Research Question:How do I arrange from a market, artistic, voice technique and stylistic point of view mostly single-voiced by piano accompanied music for “Het Coco Collectief” which consists of five sopranos and one pianist? Research Process: In order to develop my skills, theoretic knowledge and insight in the process of making arrangements I studied sources concerning music theory and chord writing, I made several arrangements, I interviewed arrangers and singers, I had my fellow Coco colleagues answer questions about their preferences concerning singing in the ensemble and I analysed my arrangements. Summary of Results: My paper contains all the information I gathered over a two year research period. It has become a little handbook of tips, tricks and rules. I gained skill and knowledge mainly through trial and error, rehearsals with the ensemble and analysing my interviews and questionnaires. I arranged three pieces by Rossini (La pastorelle delle Alpi, La Danza, La legend de Marguerite) one piece by William Bomcom (Amor) one piece by Johannes Röntgen (Op een Kwal) and one piece by Bizet (Adieux de l’hotesse Arabe). I used La Danza en La legend de Marguerite as material to compare arrangements before and after my research in order to detect differences in choice making and using gained knowledge and skill. I used Op een Kwal en Adieux de l’hotesse Arabe in order to explain how a piece changes through a rehearsal process and adapting the piece for either stage of radio. Through talking to the arrangers and working on my pieces together with my coco colleagues and my research coach I found what I was looking for: skill. From the beginning of this research I was looking for justification of my choices. I found that for me to feel secure of my work I needed those two years of thinking that rules is all I needed. That if I could explain an idea by saying it there because of a style or historical context, from a voice technical of personality choice, from Coco’s image or other peoples opinion my arrangement would be good enough. If I could find arguments and explanations for why I did what I did, I should not have to justify why I dare to rearrange already ‘perfect’ repertoire. I created the handbook, containing tips tricks and rules: music theory, all the knowledge shared with me during interviews, Coco’s preferences, all the rules are there. Everything in order to be able to let go of them if it pleases me. My choices are still based on knowledge but now I can consciously use or not use the rules. I have developed a greater trust in my own artistic ideas about the pieces I arranged. I have developed a greater understanding of what it is to write for this ensemble, for these people. And as said before I have created a little booklet of rules for anyone who wants to arrange for voices and piano. During my presentation Het Coco Collectief will sing both La Danza and Adieux de l’hotesse Arabe.
typeresearch exposition
keywordssopranos, pianist, ensemble, singing, arranging
date01/01/2014
published05/09/2014
last modified05/09/2014
statuspublished
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/64886/64887
published inKC Research Portal
portal issue1. Master Research Projects
connected toKC Research Portal


Simple Media

id name copyright license
64893 coco research 14-02-2014 Jannelieke Schmidt All rights reserved
64890 coco research 14-02-2014 Jannelieke Schmidt All rights reserved

Comments are only available for registered users.


i have forgotten my password
join the research catalogue
Portals The research catalogue serves:
Journal for Artistic Research
a peer-reviewed international journal for all art disciplines
KC Research Portal
Research Portal of the Royal Conservatoire, The Hague
Norwegian Artistic Research Programme
The portal of the Norwegian Artistic Research Programme
RUUKKU - Studies in Artistic Research
Taiteellisen tutkimuksen kausijulkaisu / Studies in Artistic Research
University of Applied Arts Vienna
RC portal of the University of Applied Arts Vienna
Journal of Sonic Studies
A peer-reviewed, international journal on sound studies and auditory culture
Academy of Creative and Performing Arts
Portal of the Academy of Creative and Performing Arts, Leiden University
SHAPE - Artistic Research and Institutional Impact
SHAPE aims to describe the impact of artistic research within specific frameworks.
Faculty of Fine Art, Music and Design, University of Bergen
Portal of Faculty of Fine Art, Music and Design
Polifonia
Polifonia
Codarts
Portal of Codarts, University of the Arts, Rotterdam
Stockholm University of the Arts
Stockholm University of the Arts (Uniarts) provides education and conducts research in the fields of choreography, film & media, opera and performing arts.
University of the Arts Helsinki
University of the Arts Helsinki was launched in 2013 upon the merging of the Finnish Academy of Fine Arts, Sibelius Academy, and Theatre Academy Helsinki.
Norwegian Academy of Music
A leading artistic and academic university college with over 600 students. Located in Oslo, Norway.
The Danish National School of Performing Arts
This portal is a platform for distribution of knowledge produced through artistic research at the Danish National School of Performing Arts.
VIS – Nordic Journal for Artistic Research
VIS – Nordic Journal for Artistic Research
Rhythmic Music Conservatory Copenhagen
The portal of Rhythmic Music Conservatory Copenhagen
Konstfack – University of Arts, Crafts and Design
Konstfack – University of Arts, Crafts and Design, Stockholm