Olivia Lucas

About this exposition

Perched on the fringe of the extreme metal underground and named after the brand of vintage amplifiers they use, the band Sunn O))) creates 90 minute mostly-improvised live sets that focus on bass and sub­-bass (20-60 Hz) tones, played at a volume of about 120 dB. With a motto of “Maximum Volume Yields Maximum Results,” loudness is their musical content, and the droning, low tones they project require multi-­sensory interpretation, as they are felt in the body as vibrations. This paper explores the experience of a Sunn 0))) concert, as it transgresses and dominates the listener’s body, controlling available sensory data. The heavily amplified low frequencies bring the listener's body into direct contact with the physical properties of sound, touching it with bone-­rattling vibrations. Cloaked in thick artificial fog, the means of sound production remain hidden. Furthermore, the sounds themselves rely more on effects pedals than on instrumental prowess; the plucking of a guitar string may supply the signal for several minutes of music. This combination of visual deprivation and aural/tactile overload enacts a ritual of sensory domination, to which the audience submits.
typeresearch exposition
last modified26/06/2014
share statuspublic
licenseAll rights reserved
published inJournal of Sonic Studies
portal issue07. Issue 7
connected toJournal of Sonic Studies

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87822 JSS7-template Nieuwenhuis All rights reserved
87811 sonicstudies-banner-964-3 Mannschaft All rights reserved
87809 Sample Stage Plot for Sunn O))) Sunn O))) All rights reserved
84318 Figure 1 Stage Plot Exile on Moan Street All rights reserved

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