Name: Benjamin Marionneau
Main Subject: Classical Cello
Research Coach: Susan William
Title of Research: Musician's Warm-up
Research Question: Warming up, why and how?
Summary of Results:
Like in sport, warming up is the first thing a musician can do before a practice session or
a performance. Playing an instrument requires a lot of involvement from the body and the
mind, and can be very demanding. Therefore a session of practice or performance needs
to be well prepared if the musician needs to play a long time in order to avoid all the
problems that he can meet by the demands of practicing and performing.
There is no need to spend a very long time on the warm-up, but important to do it in a
good way, and in order to succeed in warming up it is good to have some knowledge
about why and how to do it.
In this presentation, we will approach the warm-up from the physical side and the mental
side, without and with instrument. To do so, I will explain and give a few exercises and
information that should be relevant for any musician who wishes to improve his
knowledge in this field.
Biography:
Born in 1987, in Poitiers, France. Benjamin Marionneau began playing the cello around
7-8 years old in the music school of Bressuire in France, and then moved to Poitiers
where he studied with Marc Benyahia Kouider for almost ten years. He obtained his
diplomas of cello and chamber music there in 2005.
Then he moved to Paris and studied four years there, first with Henri Demarquette in the
conservatory of Saint-Maur-des-Fossés where he obtained diplomas of cello (2006) and
chamber music as well (2007), and later in the conservatory of Rueil-Malmaison with
Marie-Paule Milone, where he got a "prix d'excellence" (2008).
After four years in the Royal Conservatoire in Den Haag he received a Bachelor with
Jan-Ype Nota and Michel Strauss as main teachers. He is now studying with Lucia
Swarts and Roger Regter in Den Haag.
He also participated in masterclasses and received cello lessons with great teachers as
Anner Bylsma, Janos Starker, Jerome Pernoo, Xavier Gagnepain, Marc Coppey, Philippe
Muller and François Salque, and regularly with Harro Ruijsenaars for the past four years.