Trevor Pinch

en

Trevor Pinch was born in Northern Ireland and is the Goldwyn Smith Professor of Science and Technology Studies and Professor of Sociology at Cornell University. He holds degrees in physics and sociology.  He has authored many books and numerous articles on aspects of the sociology of science, the sociology of technology, the sociology of economics, and sound studies.  His books include Analog Days: The Invention and Impact of the Moog Synthesizer. He is co editor of the Oxford Handbook of Sound Studies.  He is also a performing musician with the Electric Golem and The Atomic forces. He has an honorary degree from Maastricht University.


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Exposition: Responsive Aesthetics: Remediating Digital-to-Analog Television Converters as Artist Tools (28/09/2018) by Eric Souther et al.
Trevor Pinch 15/01/2018 at 20:35

This is astrong statement and it is not clear what you mean. Could you expand this sentence? What is menat by erasure?


Exposition: Responsive Aesthetics: Remediating Digital-to-Analog Television Converters as Artist Tools (28/09/2018) by Eric Souther et al.
Trevor Pinch 15/01/2018 at 20:29

there is a confusion here between the aesttetics  of the TV screen versus the process of sticking in resistors and etc - i.ecircuit bending. .For most circuit benders seeking sounds the aesthetics of the sound matter a lot - less important is the aesthetics of how the ebnd looks (although this can matter to somecircuit benders. In tyour case you are talking about the visual output not ow the bendlooks on the circuit board.This could be clarified




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