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The Ph.D. project in Artistic Research, Tipping Points, conducted by Tijs Ham ('81), is situated in the field of live electronics and focuses on the exploration of chaotic processes within instrument design, compositional strategies, and performance. The unpredictable nature of chaos impacts many aspects of musicking. Artistic works emerge from the interferences between processes that are set in motion. Instruments are influenced and in turn influence the performer in return. The reflections turn to the notion of wondering as the performer and audiences alike encounter unforeseen sonic behaviors that are strangely musical despite their volatile and fragile chaotic origins.

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  • contents
    • Front Page
    • Table Of Content
    • Acknowledgements
    • Preface
    • Chapter I - Introduction
    • Research Question
    • Premises and Definitions
    • Chapter II - Field and Context
    • Field Guide
    • Artists
    • Chapter III - Methods
    • Chapter IV - Documentation
    • ATOX
    • STATES
    • Physeter
    • Chapter V - Reflection
    • Chapter VI - Future
    • Bibliography
    • Notes
    • Vivid Forgetfulness Score
    • Tipping Points Concert
    • Tijs Ham
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  • abstract
    The Ph.D. project in Artistic Research, Tipping Points, conducted by Tijs Ham ('81), is situated in the field of live electronics and focuses on the exploration of chaotic processes within instrument design, compositional strategies, and performance. The unpredictable nature of chaos impacts many aspects of musicking. Artistic works emerge from the interferences between processes that are set in motion. Instruments are influenced and in turn influence the performer in return. The reflections turn to the notion of wondering as the performer and audiences alike encounter unforeseen sonic behaviors that are strangely musical despite their volatile and fragile chaotic origins.
  • Tijs Ham - Tipping Points (Reflection Component) - 2023
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Table of Contents





Acknowledgements


Preface


Chapter I           Introduction


Chapter II         Field Guide


Chapter III       Methods


Chapter IV       Documentation


Chapter V         Reflection


Chapter VI        Contribution


Bibliography & Errata


Tipping Points Concert