Online Resource Document to support MRes Thesis: 


The role multichannel Sound Art plays in the Architecture of Theatre and Audience Engagement


Joshua Dyson

September 2024

Culmination 

Public Implimentations

Audio Engineering Multichannel Developments

First purchase parts and testing

How to navigare around this exposition

 

use navigation bar above, go through contents, but as a non-linear format feel free to deviate from the recomended path, though it is recommended to follow it on your first viewing

  Open Walls,                        The Roundy,                      27th January

Spatial Days Ambisonic and Binaural Production

  Open Walls,                The Roundy,

  22nd April

DIY Stand and

3D Printing parts

JODOT,

TDC, Triskle,

Cork Fringe,

10th May

Computation and Editing

Thesis

Purchase of Genelecs, stands, and cables

Digital Worlds,

Triskle,

15th August

Foley and Object Enquiry

Audio Production

Spatial Days Vol. 1 album launch,

Stack Theatre, 

10th September

Hear, here!,

Cork Opera House,

Culture Night,

19th September

Field Recording

October 2025
  • Visual Rendering Fragments

 

  • Pod Composition and Flow Sketch
 
  • Audio Engineering & Multichannel Configuration 


  • Practice as Research: Installation
 
  • Binaural and Ambisonics
 
  • Editing and Generation Sounds Computationally
 
  • Field Recording

Methodology
  • Sonically Create Profile of Cork City

 

  • Ear Training,    Reduced Listening, Deep Listening          (and Sonic Diary)

 

  • Assemblage

 

  • Spatialisation
 
  • Imagined Spaces

Theory
  • Soundscape

 

  • Heterotopia

 

  • Maintenance Art

 

  • Cyclicality

 

  • Sonic Architecture

 

  • Installation rather than Performance

 

  • Site Specific

 

  • Control

 

  • Curiosity & Audience Agency