Audio Recording of the first draft composition for this installation.
(used more original recordings of instrument improvisation and field recordings and less DAW MIDI sounds then what was actually played )
When I was booked for the Cork Fringe Programme it was planned that I would perform at a small record store and cafe called PLUGD. It was later reorganised that I would perform in the Theatre Development Centre (TDC) instead.
Meeting to launch the album of our final work with a 3rd Order Ambisonic setup at Cork School of Music's Stack Theatre (August)
With the final arangment being in 3rd Order ambisonics, I wanted to over-engineer and excessivly mic instruments or objects to record, either to replicate the speaker arangement or to add a lot of angles for very slight difference between eachother. Each recording could then move around the space between speakers.
For this recording to start I only recorded inner and the edge of a cymbal.
The inner (R) was sharper. higher, and died quicker, the edge (L) was richer and reverberated for over a minute
Reaper Mixer set up to mix in 3rd Order Ambisonics and switch to Binaural outside of the Spatial Audio Lab,
using the IEM Suite plug-ins
