Washing Machine recording playing at 816hz bottle with Omni microphone inside and an EQ Peak Filter applied
Multiple seperate field and object recordings played at bottles with omni microphones as they sit inside two bottles. Those subsequent recordings have an EQ Peak Filter applied.
After listening back to the recording of the feedback, I found its frequency range and discovered I could almost match it on clarinet to overlap its spectral content the spectral peak of the feedback.
Blowing into each bottle to record and find their resonant frequency (using a spectogram and cross reference with a tone generator in Reaper):
115hz, 115hz, 164hz, 183hz, 212hz, 276hz, and 347.5hz
Botanica Inspired Production
Using a Zoom F6 with a Hydrophone, Piezo microphones, Omin microphones, and Condensor microphone, I recorded multiple positions of a washing machine and placed the recordings in round pattern as a part of my final installation the Bar composition.
Renders of conseptualised installations applications of with spinning speakers.
This is a work in progress. It was not important to the core research to complete this experiment, but it is an idea worth considering for future spatial sound research for real time tracking that would interact with the audience a change the audio produced through the speakers, as well as how the speakers would change the sound through its spinning feature.
Botanica is an emerging music micro-genre that exists dominantly in online spaces (to my knowledge). Its hyperreal, textural approach, often using processed foley, organic sound fragments, and layered ambient pads, drew my interest in incorporating it into my research. I shifting timbres and dynamic spatial movements working well to suit my multichannel speaker arrays and installations work.
Reducing Playback Sample Rate (perticularly to hear ultrasonic sounds in an audible range for humans)
To see Pod Composition and Spatial Illustration, see my Final Installation
