Almat's ⬀methodology is based on iterative reconfiguration. A configuration encompasses the members of the team, Hanns Holger Rutz and David Pirrò, an invited guest artist along with a proposal within which she or he works, a "machinery", including two software systems developed by Rutz (SoundProcesses) and Pirrò (rattle), and possibly more systems brought into the experiment by the guest artists, which we aim to couple and to explore from different perspectives. An iteration takes the form of an online preparation phase, in which the core team and the guest artist engage in a dialogue about their practice and their relation to Almat, as well as the specific preparation of a two months residency period, in which algorithmic sound studies are developed in situ at the IEM in Graz.
The second iteration is conducted with artist and composer ⬀Erin Gee (Canada). This research catalogue entry documents our work process.