IN-R Project III

 

Er dette er et menneske

  

Workshop-based methods to prevent prejudism and hatred


 

 

"Sense experience is that vital communication with the world which makes it present as a familiar setting of our life."


                                                                  Merleau-Ponty 1945

 


 

"If teachers are aiming for strong links between teaching and research, they should adopt an open, discovery-oriented range of important elements in the learning design, including the design of learning spaces and student assessments." 

                                                   Spronken-Smith & Walker 2010 

 

 

 


This project explores new methods to prevent racism and antisemittism among young people.

Transposingworkshop- based methodology from the pilot project, the pilot built on the Jewish tradition of commemoration through stones and took place in Lodz, Poland. Participants in workshops receive small parcels at the workshop entrance. Unwrapping the paper, instructions and agreement of consent is found on the inside, as well as an individual number. The instructions informs how the participants may contribute to the unveiling of information about Holocaust victims, and gives instructions for procedure: To grasp [1]  the stone and feel it becoming warm inside the palm. To make a drawing on the inside of the paper. To pay notice to the number which corresponds to a list on the wall. Here individual information is provided: The name, age, gender and home address of the person commemorated. A name tag is provided to the stone and placed on a map. Participants may then photograph the stone and publish on social media using hashtags. The drawings and the stones remain in the property of the researchers and will be used for exhibitions and other relevant purposes. An anonymous user experience survey is the final stage of the workshop.


The new project will convey the fate of Norwegian Jews deported from Trondheim in 1942. Creating an archive using theory from microhistory, the project explores colaboratory art methodologies as methods of change (Berman 2017). How can inquiry-based learning strengthen the links between teaching and disciplinary research (Spronken-Smith and Walker, 2010)? The exploration of drawing as tool for learning (Mäkelä 2007) will continue in this branch of the project. What are the cultural semiotic consequences when site-specific narrative is transposed to another place (Magid, 2012)? Which elements could be of significance in this transposition? (Torop, 2017)?  What ethical considerations should be taken (Guo, 2014)?


The project investigates new approaches of commemorating though drawing/illustration, as well as relation between object and participant (Moniker, 2016) and discusses memory and object (Jenkins, 2018). The exploration of the viewer as illustrator and objects as illustration is the expected outcome.


The project is a cooperation between Falstadsenteret and professor Hilde Kramer, Faculty of Fine Art, Music and Design at the University of Bergen. Project leader is Sebastian Klein, Head of Education at Falstadsenteret. During the first symposium of the project on 19th of October 2020 he gives a presentation

 

 

 

 

FOOTNOTES

 

1. […] the knowing touch projects us outside our body through movement. […] There are tactile phenomena, alleged tactile qualities, like roughness and smoothness, which disappear completely if the exploratory movement is eliminated. Movement and time are not only an objective condition of knowing touch, but a phenomenal component of tactile data. They bring about the patterning of tactile phenomena, just as light shows up the configuration of a visible surface.

                                                          Maurice Merleau-Ponty1996

 

REFERENCES

Berman, K. (2017). Methodologies and Methods of Change. In Finding Voice: A Visual Arts Approach to Engaging Social Change (pp. 9-20). Ann Arbor: University of Michigan Press. Retrieved November 3, 2020, from http://www.jstor.org/stable/j.ctvdtphz0.5
 

Guo, H. (2014, 09 24). The Ethical Turn in Contemporary Western Semiotics. Retrieved from De Greuter: https://www.degruyter.com/view/j/css.2014.10.issue-3/css-2014-0037/css-2014-0037.xml

 

Magid, S. (2012). The Holocaust and Jewish Identity in America: Memory, the Unique, and the Universal. Jewish Social Studies Vol. 18, No. 2 , pp. 100-135.

 

 Merleau-Ponty, M. (1996) Phenomenology of Perception. Delhi : Motilal Banarsidass, 1996, ©1945, p. 315.

 

Mäkelä, M. (2007) Drawing as a Research Tool:Making and understanding in art and design practice. Retrieved 02.11. 2019  from researchgate.net: https://www.researchgate.net/publication/277308776_Drawing_as_a_research_tool_Making_and_understanding_in_art_and_design_practice

 

Moniker, S. (2016). Place A Stone. Retrieved from Place A Stone: https://placeastone.nl

 

Spronken-Smith, R. & Walker, R. Can inquiry‐based learning strengthen the links between teaching and disciplinary research? Retrieved from tandfonline.com: https://www.tandfonline.com/doi/abs/10.1080/03075070903315502

 

Torop, P. (2017, 12). Semiotics of cultural history. Retrieved from researchgate.net: https://www.researchgate.net/publication/322212847_Semiotics_of_cultural_history

 

"If one could possess, 

grasp, and know the other, it would not be other."                                                                  

                  Emmanuel Levinas

IN-R Project II Non-Book