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METHODS

 
 
 
 

SKETCHING

 
 

Pushing the changes to their limits to help creating the artists their innovative ideas.

 
 
 
 
 
 

1850-1950

INDUSTRIAL ERA

During this innovative period the world was changing. Progression in photography, theatre, light and silent film helped changing the perception of time in this changing world.

 
 
 
 
 
 

THEATRE is time based and temporal

Both visual and auditive.

 
 
 
 
 
 
 
 
 
 

When does a space become theatrical?

 
 
 

How does a space become theatrical?

 
 
 

ANALOGUE TECHNIQUES

Low-tech, pre-electric techniques visible in the space.
Used before and during the transition to the 20th century.
Analogue Theatre Techniques.
Windable Phonograph and windable music boxes.
 
 

TIME

 
 
 
 

LUMIERES TROUVEES 

The type of light I am interested in, are gas-discharge lights; under this category you can count the older streetlight, neon, and fluorescents.
I call these lights lumières trouvées or found lights, lights with a history and a unique feeling to the emitted light.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Space as Set

 
 
 
 
 
 
 
 
 
 
 
 

MUSIC

To enhance theatricality

Performing live

 
 
 
 
 
 
 
 
 
 

COMPOSITIONS

 
 
 
 
 
 

LIVE SILENT FILM

The old silent films adapted to a contemporary performative time.

Unimportance of text

Narrative through movement, action.

Sounds/silence of space used.

Breaking the rules of the world.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Space as co-creator. 

 
 
 
 
 
 
 
 

SPACE

 
 
 
 

History of space used.

 
 
 
 

Possibilities that invite for a change to happen. 

Creating an atmospheric tension.

 
 
 
 
 
 
 
 

Up / Down

Left / Right

Front / Back

 
 
 
 
 
 
 
 

MOVEMENT

Suggested movement

Physical exhaution, impossibilities, unexpected.

 
 
 
 
 
 

MONTAGE

 
 
 
 
 
 

TENSION IN LIGHT 

Tension between difuse and active lights, my lights and the spacial lights, natural and artifical lights.

 
 
 
 
 
 
 
 
 
 
 
 
 

PERFORMER

Light? Object? Person? Space?

 
 
 
 
 
 
 
 

SPATIAL ENCOUNTERS

(experiments, pre-works)

Rain.

Lights.

Pastoe.

Steps, Ladders & Silent Film.

Suitcase.

Movement.

Found Theatrical Spaces.

Relations with Spaces 

 
 
 
 
 

PERFORMATIVE SEQUENCES

Higher.

Times.

Performative Presentations