The role of spirituality in art education

Syed Gowhar Andrabi

Spirituality reigns supreme in art. Known as the driving force of art, spirituality is art's expressive vehicle as well as a special voice. Human history of arts has never been devoid of spiritual content; artists studied the relationship between art and the spirit for decades. However, during the nineteenth century, technological advancements temporarily eclipsed this relation. Thanks to the radical changes in the progress of arts, spirituality in art resurfaced again (Efland 1990). With the material advances falling short of human expectations in understanding the reality of self, 'arts began once again to be proclaimed as important sources of spiritual insight necessary for the welfare of society' (Efland 1990, p. 51). In view of this, many questions started to gain momentum in academic circles. Such as, when and how does spirituality manifest in art? Is spirituality in art and art education purely a religious concern? Is there a spiritual impetus that fosters creativity? While trying to explain these questions, researchers confronted a few more enquiries of equal importance. For example, what is the connection between spiritual and art education and why has this branch of art (spiritual in art education) received less attention in academic literature and art rooms (London 2007)? This study aims to shed some light on these questions and following on the findings, analyse (a) the role of spirituality in art and art education; and (b) how an artist-teacher can deal with the issues of spirituality in art making and classroom practices? For clarity, the essay initially focuses on spirituality, its position among children and art education. Next follows an investigation of the role of artist-teacher in nurturing the spirituality of children through art, including a brief account of my art practice. Finally, conclusions are drawn about my understanding of spirituality and the learning experiences of my students in the light of the aforementioned questions.

Visual Research

Visual research is an excellent way to start the work in art. It gives an idea about what has been done and what new one can explore. Following on this notion, I researched various artists engaged in spirituality both in past and in present. This activity served as a quick guide to help me organise and create my works. Taking these ideas to my sketchbook, I reflected on them and investigated the possible directions and routes my works might take. The initial sketches were rough, however, refining the ideas, design and structure helped me to develop a 'personal vision and a new way of seeing and exploring ideas' (Parker 2005). It offered me fresh creative ways of exploring spirituality in art and prepared me to 'embark on a creative personal journey of exploration and discovery' (Parker 2005).

• Parker, J. (2005). A Consideration of the Relationship Between Creativity and Approaches to Learning in Art and Design. JADE 24.2. NSEAD: Blackwell Publishing Ltd.

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Visual Research