Research Catalogue

Illustration as research from within the field is of relatively new practice. The illustrators discourse on representation (Yannicopoulou & Alaca, 2018 ), theory (Male, 2017), and critical writing on illustration practice was hardly found until The Journal of Illustration was first issued in 2014, followed by artistic research through illustration (Black, 2014; Rysjedal, 2019; Spicer, 2019). The History of Illustration was published recently (Doyle, Grove, & Sherman, 2018). The research topic developed as response to a rise in hate crime towards refugees and the targeting of European Jews in recent decade. A pilot project (This Is a Human Being 2016-2019) treated how narratives of the Holocaust may avoid contributing to overwriting of history or cultural appropriation. Asking how illustration in an expanded approach may communicate profound human issues typically considered unrepresentable, this new project hopes to explore representation and the narratives of “us” and “the others” in the contemporary world through illustration as starting-point for cross-disciplinary projects. The participants from different disciplines, will interact democratically on a common humanist themes in order to explore the transformative role of illustration in contemporary communication. Projects developed should afford contemplation of illustration as an enhanced, decelerated way of looking; and drawing as a process for understanding - a way of engaging in understanding the other, as much as expressing one’s own needs (McCartney, 2016). This AR project consists of three symposia and three work packages, and the artistic research unfolds in the symbiosis of these elements. The planned output is the investigation of illustration across media and materials.

For their inaugural exhibition as a collective, LIMB will explore [hydro]ecology as a form of writing beyond words and writing beyond meaning. Thinking through wet ecologies as sensitive surfaces, as inscribing agencies and as archives, they look towards nonhuman expansions of the very idea of inscription itself. @limbcollective

This is an exposition presenting the project Year of the Rabbit, which took place on Harakka island off Helsinki in 2011 and was presented for the first time in Gallery Jangva in 2013.

Exploring the sound of the parking garage in the building where I live, using cheap Casio electric keyboards, low end melodicas and a recorder. All instruments, electronic or not, have been played live in the garage as if they were purely acoustic instruments, making this an artistic exposition exclusively, intended to make people consider and reflect upon what can be done with humble instruments in the right sonic environment. Videos shot with an iPhone 5. No overdubs, mix, mastering or other tampering with the actual sound.

RAPP Lab was a three-year EU-funded research project supported by the ERASMUS+ programme "Strategic Partnerships". RAPP stands for "Reflection based Artistic Professional Practice". The project took forward through a series of multi-national encounters described as Labs. RAPP Lab explored how the reflective methodologies of Artistic Research empower musicians to creatively respond to the economic-cultural environment with which they are confronted. The project brought together the Artistic Research expertise of seven partner institutions in six different European states: Association Européenne des Conservatoires – AEC Bruxelles, Belgium Conservatorio di Musica Santa Cecilia Rome, Italy Eesti Muusika- ja Teatriakadeemia Tallinn, Estonia Hochschule für Musik und Tanz Köln, Cologne, Germany (as Coordinator) mdw – Universität für Musik und darstellende Kunst Wien, Vienna, Austria Norges musikhøgskole, NMH Oslo, Norway Orpheus Instituut Ghent, Belgium

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