Researchers

Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Rania Lee Khalil
Michaela Glanz
Gascia Ouzounian
Silje Marie Aker Johnsen
Norwegian Artistic Research Programme
Jennifer Torrence
Percussion, contemporary music, new musical works, Experimental music, collaboration, collaborative processes, devising
Anna Aalten
Jordan Lacey
Martin Sonderkamp
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Peter Norrman
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Raoul Boesten
Arie Verheul van de Ven
Michael Joseph Fletcher
Stuart Whipps
art, PHOTOGRAPHY, FILM, History, Sociology
Susana Castro Gil
Transcreation, Contemporary Colombian Art, contemporary music, multimedia, virtuoso
Beatrice Zaidenberg
non-human, parasitic endeavor, Contemporary art, art and science
ELEONORA ILIA
Petro Keene
Rafaele Andrade
Simon Rooms
Juliano Abramovay
Angela McArthur
Philip Lüschen
Julia Fromm
Factual and Fictional Narration, Resilience, Performance art
Maisie James
Rebecca Carlson
Nicole Wendel
Giuseppe Sapienza
Jyoti Mistry
Patryk Wasiak
anna schreuder
Bas Pol
Björg Blondal
Ilias Mavromatis (Ili Os)
Rania Ghazali
animation, motion design, illustration, visual art, drawing
Inge Mulder
Laura Bortoloni
Nesli Hazal Oktay
Imanol Emede
Diede van den Broek
Afonso Viana Mendes
Urška Medved
Kuba Nowak
Lotta Helga Katarina Karlsson
Terra Joanne Drok
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory
Davide Rizza
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