Einar Torfi Einarsson
notation, experimental systems, post-structuralism, post-conceptual art, extended techniques, Extended Duration, experimental notation
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Jim Harold
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Tove Dahlberg
opera performance, gender, agency, performance norms
Shane Finan
place, technology, interactive, Painting, transience, ephemeral, solastalgia, interactive installation, interactive art, digital art, Language
Liv Kristin Holmberg
music, music aesthetics, music theater, Performance art, Theology, philosophy, ritual, ritual art, crossdisiplinary, Norwegian Artistic Research Programme, utopia, sound art, public art, Religion
Aurora Del Rio
contamination, Rituals, Embodied knowledge, Perception and Consciousness, artistic reasearch
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Filip Novák
embodiment, Embodied reflection, dance, theatre, Applied Theatre, psychosomatics, pedagogy