Researchers

Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Susanne Valerie Granzer
Philosophy as Arts-Based Research, Philosophy As Arts-Based-Research, Acting, philosophy
Dumond Camille
artistic research, art, artschools, switzerland research community
Ann Kroon
urban exploration, urban space, visual sociology, architectural photography, autoethnography
Matthew Xie
early music performance, continuo, Lute, Lute song, Theory, performance practice
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
Martí Ruiz i Carulla
sound art, Soundsculpture, acoustics, participation, DIY, socially engaged art, science and art
Pauliina Laukkanen
dance pedagogy
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Esa Onttonen
improvisation, jazz, live composition
Jelena Škulis
materiality, community, feminism, craftivism, textile, textuality, processualism, slowness
Sara Hulkkonen
Craft, glass, practice-led research, New Materialism, sociomateriality
Jędrzej Galas
fashion design
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory