Einar Torfi Einarsson
notation, experimental systems, post-structuralism, post-conceptual art, extended techniques, Extended Duration, experimental notation
Paul Vickers
Sonification, auditory display, aesthetic experience, aesthetics of sound, aesthetics of sonification
Jeffrey Cobbold
digital sound studies, electro-acoustic/experimental music, field recording practices, sound art installation, language-based artistic research, personal digital storytelling, worship arts/Christian education, video production
Emmi Kujanpää
Folk singing, art-based research, transnationalism, Gender and Music, politics, Balkans, Folklore Studies, ethnomusicology, Finno-Karelian folk singing, Bulgarian folk singing, intersectional feminism, artivism, feminist art, composing, pedagogical research
John Cussans
science fiction, anthropology, artistic reasearch, art theory, critical theory, social psychology, Haiti, Vodou, decolonialism, horror, alterity, psychoanalysis, British Columbia, Northwest Coast First Nations, surrealism, diagrams, Ghetto Biennale, colonialism
Jordan Sand
double bass, improvisation, composition, process-based, penguin, Music philosophy, nomadism, breathing, voice, organ, hymn, violin, Collaborative Space
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Laureen Mahler
making, practice-led research, interdisciplinarity, origami tessellations, folding, materiality, entanglements, dynamic space, visuality of making, sustainability, perception
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism