Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Rikki Wolpowitz
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Dawn Woolley
consumer culture, feminism, self-portraiture, still life, marxism
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Rachael Jones
experimental filmmaking tools, material methods, arts-based research, participation in filmmaking, sensuous knowledge, materialist filmmaking
Liv Kristin Holmberg
music, music aesthetics, music theater, Performance art, Theology, philosophy, ritual, ritual art, crossdisiplinary, Norwegian Artistic Research Programme, utopia, sound art, public art, Religion
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Joonas Lahtinen
performance, live art, installation, participation, artist pedagogy, HEI pedagogy, public space, spatial politics, spatial analysis, epistemology, perception, politics of the body, performativity, continental philosophy, politics of architecture, mundane, text, forms and formats of research dialogue, institution, academia
Hala Ali
Collaboration between Visual Arts and Other Discipline, Audience Engagement and Interaction;, noeuroscience and art