Åsa Unander-Scharin
choreography, music, artistic research, robotic art, digital musical instruments, opera, opensoundcontrol, extended techniques
Joanne Scott
live media performance, intermediality, audio-visual, Practice-as-research, Practice Research, more than human, eco-art, ecology, artistic research, soundwalk, soundscape
daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Emma WIlliams
historically informed performance, 19th century, violin, voice
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Hwa Young Jung
art, artistic research, socially engaged art, Social Practice, criminology
JULIE MARSH
Site-specific, space, moving image, site, site-integrity, representation, performance
Sigrid Espelien
clay, soil, landscape, leire, jord, landskap, situert kunnskap, blåleire, tegl, jording, kunsthåndverk, keramisk kunst, brukskunst
Iselin Dagsdotter Sæterdal
post-human, post-colonial, posthumanism, digital musical instruments, artography, Agential realism, agential cut, intra-action, intra-action New Materialism, New Materialism, experimentation, child as a musician, children, loop station, Live-electronics, live looping, rhizome, Assemblage, Musicking, arts-based research
Daniel Blanco Albert
opera, composition, music theater, art and science, interdisciplinary collaboration, engagement, circular economy
Denisa Salontayova
design, textile design, textile print, Textiles, graphic design, graphic art, national identity, textile making, fashion, VISUAL CULTURE, cultural memory, culture, artistic research, art education, heritage, history of ideas, Czechoslovakia, dream as collective matter