Artistic research fellows
(last edited: 2026)
author(s): Linda H. Lien, Geir Strøm, Ingrid Milde
connected to: Norwegian Artistic Research Programme
This exposition is in progress and its share status is: visible to all.
Bibliographies and project abstracts for artistic research fellows active in the Norwegian Artistic Research School.
Practice Sharing II
(last edited: 2025)
author(s): Emma Cocker, Cordula Daus, Lena Séraphin
This exposition is in progress and its share status is: visible to all.
Practice Sharing II is the second online presentation of diverse approaches to language-based practice within the field of artistic research, published by the Society for Artistic Research Special Interest Group for Language-based Artistic Research. The Practice Sharing includes contributions from: -- Annette Arlander -- Dave Ball -- Juan Pablo Gaviria Bedoya -- Sue Brind & Jim Harold -- Katrina Brown -- Arturas Bukauskas -- Julia Calver -- Delphine Chapuis Schmitz -- Emma Cocker -- Joanna Cook -- Adélia Santos Costa -- Mike Croft -- Kimberly Campanello -- Kostas Daflos -- Cordula Daus -- Janhavi Dhamankar & Minou Tsambika Polleros -- Martin.P. Eccles -- C.C. Elian -- Federico Eisner Sagues -- João Emediato -- Kate Fahey -- Rob Flint -- Lynda Gaudreau -- Sandra Golubjevaite -- Sara Gomez -- Vanessa Graf -- Maria Hedman Hvitfeldt, Mamdooh Afdile & Alexander Skantze -- Kirsi Heimonen & Leena Rouhiainen -- rosie heinrich with An_assembling_“I” -- Steffi Hofer -- Marianne Holm Hansen -- Rolf Hughes -- James Jack -- Benjamin Jenner -- Christina Marie Jespersen -- Molly Joyce -- Krystyna Kulisiewicz -- Andrea Liu -- Ling Liu -- Barb Macek -- Yorgos Maraziotis -- Klaus Maunuksela -- Annie Morrad -- Amelie Mourgue d'Algue -- Antrianna Moutoula -- Peta Murray -- Elena Peytchinska & Thomas Ballhausen -- Julieanna Preston -- Maya Rasker -- Sarah Rinderer -- Hanns Holger Rutz -- Maryam Ramezankhani --- Marianna Stefanitsi -- Anie Toole -- Tao G. Vrhovec Sambolec -- Sarah Scaife -- Litó Walkey -- Kai Ziegner --
Practice Sharing II is co-edited by Emma Cocker, Cordula Daus and Lena Séraphin. Designed + compiled by Emma Cocker.
For more on the Society for Artistic Research Special Interest Group (SAR SIG) for Language-based Artistic research see here - https://www.researchcatalogue.net/view/835089/835129
transitory writing in no one's land (Monterrey)
(last edited: 2025)
author(s): Emma Cocker, Andrea Coyotzi Borja, Cordula Daus, Lena Séraphin
This exposition is in progress and its share status is: visible to all.
transitory writing in no one's land (Monterrey)
Expositionality in Action
(last edited: 2025)
author(s): Michael Schwab
This exposition is in progress and its share status is: visible to all.
Although it is virtually impossible to formalize what ‘best practice’ on the Research Catalogue might be, it harbours by now numerous examples of expositions that ‘work.’ In this session, I want to introduce a small set of diverse expositions from JAR as a way to highlight successful choices people have taken. With a short explanation of expositionality and virtual witnessing, I aim to support an understanding of the effect that those examples have as a way of describing how media-rich articulations can productively engage with both academic and artistic expectations.
WITHING
(last edited: 2025)
author(s): Emma Cocker, Delphine Chapuis Schmitz, Litó Walkey, Sabina Holzer, Laressa Dickey
This exposition is in progress and its share status is: visible to all.
withing
Delphine Chapuis Schmitz --- Emma Cocker --- Laressa Dickey --- Sabina Holzer --- Ines Marita Schärer --- Litó Walkey
This is an emergent ‘thematic node’ for exploring the relation of languaging and bodying: How does languaging affect bodying? How does bodying affect languaging? How does movement inform wording? How does wording inform moving? How can we explore ways for languaging/bodying with, through and from sensing and somatic practices? How to find wording and worlding for the polyphonies of somatic experiences?
scores - notations - situations – conditions
Initiated through the mutual witnessing of shared resonances and affinities during Convocation II, we conceived this ‘node’ as an emergent framework for experimenting together, for sharing embodied practising, for testing possibilities for a bodily becoming of language/words. Since November 2023, we have been meeting online to explore how we might create shared conditions and situations for practising body/languaging, both through being-with (online) and being-apart (offline). Currently, our shared exploration unfolds through the rhythm of rotation, an evolving constellation of ‘pairings’ and ‘proposals’ based on a bi-monthly cycle. For each bi-monthly iteration, a pairing (two of us working together) devises a score/proposal/invitation/focus which we then all collectively test, enact, activate, reconnecting together after a period of practice (1 month) for sharing materials / findings / discoveries / reflections from the shared research process.
Being in doing.
Being in practice together.
Body/Language.
Between the two, activating the between.
Moving
between different modalities,
shifting from one to the other.
Tilting towards.
Along-siding.
transitory writing in no one's land (Cholula)
(last edited: 2025)
author(s): Emma Cocker, Andrea Coyotzi Borja, Cordula Daus, Lena Séraphin
This exposition is in progress and its share status is: visible to all.
transitory writing in no one's land (Cholula)
Although it is virtually impossible to formalize what ‘best practice’ on the Research Catalogue might be, it harbours by now numerous examples of expositions that ‘work.’ In this session, I want to introduce a small set of diverse expositions from JAR as a way to highlight successful choices people have taken. With a short explanation of expositionality and virtual witnessing, I aim to support an understanding of the effect that those examples have as a way of describing how media-rich articulations can productively engage with both academic and artistic expectations.open exposition comments (0)