Coming Slowly to Writing with the Earth, as an Earthling
(2021)
author(s): Hanna Guttorm
published in: RUUKKU - Studies in Artistic Research
This article illustrates the slow coming to writing with the Earth inspired by both Indigenous ontologies and artistic research as well as post humanist, poststructural and new materialist theories. How does my thinking-feeling-sensing-moving body-mind-language become, or always already is, an Earthling, a habitant of this planet, in the era of super-complexity, in the need of turning the gaze towards the more-than-human(ist)? And were does this becoming/being (conscious) take this “me”? And how does writing and thinking emerge, when one has been waiting long enough?
Black Lungs
(2019)
author(s): Sepideh Karami
published in: VIS - Nordic Journal for Artistic Research
The ultimate act of taking risk in life lays in the proximity to death. When a risk being taken is prone to fail, failure can potentially become the failure to live. These risky moments involve decisions, dreams, imaginings that motivate one to take action. The motivation is strong enough to push one to a fragile border between death and life.
In this exposition, I situate the discussion of risk in coal mines, investigating the work of coal miners as a craft through which they develop subversive modes of labour. The story in this exposition starts millions of years ago and gives a fictional geological history of Earth, where the formation of coal plays an important role in the planet’s evolution; coal becomes the political summary of Earth, where various moments of risk lead us down into a coal mine. Through a vertical structure poised on the edge of death and life, and by means of writing and drawing, risk is experimented with using concepts such as imprecision, the materiality of darkness, and the fragility of working with such materiality.
