Biopoéticas: convergencias artísticas interespecie
(2022)
author(s): ANA LAURA CANTERA
published in: Journal for Artistic Research
Español
En la propuesta se reflexiona sobre las implicancias de concebir obras artísticas en conjunto con seres vivientes no-humanxs y las problemáticas y particularidades que esto conlleva. Asimismo, se propone la terminología de biopoética como alternativa nominal al concepto antropocéntrico y problemático del bioarte desde una concepción más locativa y contextual. Se pretende visualizar las metodologías y los accionares de la materia viva desde el arte contemporáneo latinoamericano y repensar tanto las prácticas como los modos de exhibición.
English
The proposal reflects on the implications of conceiving artistic works in conjunction with non-human living beings, as well as the problems and particularities that this entails. It proposes the biopoetics terminology as a nominal alternative to the anthropocentric and problematic concept of bioart from a more locative and contextual conception. It is intended to visualize methodologies and actions of living matter from contemporary Latin American art rethinking both practices and modes of exhibition.
(Not so) Casual Conversations: Experiments in Attunement as Method in Investigative Art Practice
(2019)
author(s): Livia Daza-Paris
published in: VIS - Nordic Journal for Artistic Research
This exposition considers how investigative poetic practices could broaden notions of ‘forensis’ in terms of contemporary art. By developing my concept of ‘poetic forensics’ with attunement as a method that is “palpable and sensory, yet imaginary and uncontained” (Stewart 2011) it admits the nonhuman—trees, rocks, streams, animals—suggesting new relations beyond the human as possible witnesses (Williams 2018). This presents an invitation to think differently about articulations of public truth. The question ‘Who else is witness?' emerges while exploring material intrinsically elusive to testimony on what and who has been disappeared by oppressive geopolitics. Human-rights issues are implicit given the project’s focus on historical erasure and state violence at “the threshold of detectability” (Weizman 2017). It also attends to my family’s experiences as we faced the “political disappearance” of my father Iván Daza, in 1960s Cold War-era Venezuela. The project grapples with validity through methods and lively approaches that decolonize both knowledge (Tuhiwai Smith 1999) and nature (Demos 2016) presenting posthuman challenges to a privileged human onto-epistemological position (Viveiros de Castro 2015).
Passions of Utopia
(last edited: 2023)
author(s): Johannes Rydinger, Nicia Ivonne Fernandez Grijalva, Yasmin Henra van Dorp
This exposition is in progress and its share status is: visible to all.
The Passions of Utopia is a collaborative artistic research project exploring futuremaking and storytelling through the lens of a 360-camera and telenovela tropes.
By using the cynical, plastical and exaggerated form of the telenovela we are trying to explore themes such as future, desire and truth.
Part of the process led to a 20 minutes VR-experience where the audience can take part in a immersive telenovela. It was also showed at ETC Solpark as a part of the interdisciplinary exposition and publication Awesome Arrarat
Throguh a web of different methods, where classic film production work flows and 360-action camera filmmaking is weaved together with site specific installations, we also want to explore narratives that contribute to fiction storytelling through VR in a playful way
The team consists of Yasmin Van Dorp, Nicia Fernández and Johannes Rydinger, students at the masterprogram The Art of Impact at Stockholm University of the Arts