Editorial ART RESEARCH ENVELOPE #5
(2023)
author(s): Ruth Anderwald, Leonhard Grond, Alexander Damianisch
published in: University of Applied Arts Vienna
The publication Envelope offers insights into ongoing PhD projects by candidates in the PhD programme PhD in Art at the University of Applied Arts Vienna in an innovative format. The major thrust of “Envelope” presents content supplied by doctoral researchers based on their individual artistic research and provides insights into ongoing work processes. These visual and textual traces reveal the state of the Art within its ongoing research processes. This open format seeks to reflect on experiences through exchange, as well as document relevant developments in the field of art and research.
Participating projects:
Margit Busch: A garden for a fish (Supervisor: Virgil Widrich)
Andrew Champlin: Technique Concerns: Ballet Practice Against the Western Archive (Supervisors: Ruth Anderwald + Leonhard Grond)
George Demir: Ancestral Junctures: on the expansion of ancestral mythologies (Supervisor: Hans Schabus)
Cristiana de Marchi: Casting a shadow. On disappearance, emptiness and the haunting power of absence (Supervisor: Judith Eisler)
Jošt Franko: The Migrating Image (Supervisor: Gerhild Steinbuch)
Barbara Graf: Stitches and Sutures (Supervisor: Barbara Putz-Plecko)
Joseph Leung: Post-digital Angst – An Arts-Based Research on the Manifestations of Angst in the Digital Milieu (Supervisor: Gabriele Rothemann)
Conny Zenk: RAD Performance – Driving Voices of Resistance (Supervisor: Ruth Schnell)
Feel free to zoom in on each poster for ensured readability.
reposition #1 Editorial
(2023)
author(s): Alexander Damianisch, Barbara Putz-Plecko
published in: University of Applied Arts Vienna
Welcome Letter and Foreword by Barbara Putz Plecko, Vice-Rector for Research and Alexander Damianisch, Director of Center Research Focus
reposition offers researchers of all disciplines and departments at the Angewandte the opportunity to publish their work according to peer-review principles. Colleagues of any level and doctoral students in arts and sciences are invited to share their work.
This series showcases their diverse approaches to project-oriented research work and presents current insights, captivating research processes, and ongoing projects from a deeply personal perspective that courageously unearth the work-in-progress.
The idea of reposition is to emphasise dynamic approaches that demonstrate the courage to adopt alternative perspectives and a focus that lies always on a dialogue in-between.
ART RESEARCH ENVELOPE
(last edited: 2024)
author(s): Wera Hippesroither
This exposition is in progress and its share status is: visible to all.
The publication Envelope offers insights into ongoing PhD projects by candidates in the PhD programme PhD in Art at the University of Applied Arts Vienna in an innovative format. The major thrust of “Envelope” presents content supplied by doctoral researchers based on their individual artistic research and provides insights into ongoing work processes. These visual and textual traces reveal the state of the Art within its ongoing research processes. Jointly developed by Margarete Jahrmann, professor of the PhD in Art programme from 2017/18 to 2021, and Alexander Damianisch, director of the Zentrum Fokus Forschung, this open format seeks to reflect on experiences through exchange, as well as document relevant developments in the field of art and research.
ENVELOPE #4 online open access
(last edited: 2021)
author(s): Alexander Damianisch, Jahrmann Margarete, Wera Hippesroither, Marianna Mondelos
connected to: University of Applied Arts Vienna
This exposition is in progress and its share status is: visible to all.
Envelope #4 is the fourth issue of an open format documenting relevant developments in art and research published by Zentrum Fokus Forschung. This publication provides an update on the current growth and the shared experiences made inside the Artistic Research PhD Programme of the University of Applied Arts Vienna. The core of Envelope#4 documents content provided by PhD candidates based upon their artistic research. These visual and written traces portray the current state of the art within their continuous research processes. Jointly developed between Margarete Jahrmann, Professor for the Artistic Research PhD Programme since 2017/18, and Alexander Damianisch, head of Zentrum Fokus Forschung, this open format tries to follow and reflect our experiences through a tentative way of sharing, as well as providing reference and provocation.
Participating Projects:
Margit Busch, A garden for a fish
Cristiana de Marchi, Casting a shadow. On disappearance, emptiness and the haunting power of absence
Niels Bonde, Paying with your face
Micha Payer, Re-Enacting Tableaus
Barbara Graf, Stitches and Sutures
Anahita Rezvani-Rad, What role does art play, if any, in archiving and effecting collective memory
Barbis Ruder, COUNTERACTIONS. What are the possibilities and restraints of (body) optimization?
Fabian Weiss, Ideal Self: How We Use Photography and Technology to Present and Optimize Ourselves
Cordula Daus, Kay, or a Case for Intensity
Charlotta Ruth, Choreographic Contingencies for on and offline
The Artistic Research PhD Programme is a postgraduate study programme in the field of art. The focus is on artistic work—which is regarded as the basis of knowledge production—and topics and practices of artistic research govern it. The six-semester long study programme in English starts each autumn and is located at the Zentrum Fokus Forschung. The selection criteria are the topicality, innovation potential, and social relevance of the artistic research issue described in the exposé, and knowledge of its national and international research context. Doctoral candidates are tutored by professors from the University of Applied Arts Vienna, recommended by a committee in charge of candidate selection.
For further information and deadlines, please visit http://zff.uni-ak.ac.at.