time slice transmitter
(last edited: 2025)
author(s): Marco Döttlinger
This exposition is in progress and its share status is: visible to all.
time slice transmitter is composed as an intra-active adaptive assemblage and investigates creative agency in the context of electroacoustic and algorithmic real-time composition and performance. Marco Döttlinger and Anna Lindenbaum (violin) explore process-based forms or relationships between human and algorithmic actors. This structure consists of three interlocking recurrent levels: a violinist, an autonomously acting computer music system (CMS) and a laptop performer.
Our hypotheses are that musical intra-action with algorithms generates a new ontology of musical artworks: away from a text to be interpreted, towards a non-linear and radically open-ended workflow. This also calls into question the traditional concept of authorship, as the temporal interdependence represents new constellations of cooperation. In general, machine learning algorithms are pushing for a critical and creative examination of traditional concepts of music creation.
Lion and Bull SAR Conference 2025, Porto
(last edited: 2024)
author(s): Debashis Sinha
This exposition is in progress and its share status is: visible to all.
Conference presentation proposal
ALMAT - Iteration JR
(last edited: 2023)
author(s): Hanns Holger Rutz, David Pirrò, Jonathan Reus, Daniele Pozzi
This exposition is in progress and its share status is: visible to all.
Discourse and materials pertaining to the experimental iteration with Jonathan Reus, during the Algorithms that Matter (Almat) artistic research project.
Hydrographism
(last edited: 2023)
author(s): Beatrice Zaidenberg
This exposition is in progress and its share status is: visible to all.
For their inaugural exhibition as a collective, LIMB will explore [hydro]ecology as a form of writing beyond words and writing beyond meaning. Thinking through wet ecologies as sensitive surfaces, as inscribing agencies and as archives, they look towards nonhuman expansions of the very idea of inscription itself.
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