Η ΑΝΑΠΝΟΗ ΚΑΙ Η ΣΤΑΣΗ ΤΟΥ ΣΩΜΑΤΟΣ, ΓΙΑ ΤΗΝ ΙΔΑΝΙΚΗ ΠΑΡΑΓΩΓΗ ΤΟΥ ΉΧΟΥ ΜΕ ΈΜΦΑΣΗ ΣΤΟ ΌΜΠΟΕ.
(2024)
author(s): Χρήστος Τσόγιας-Ραζάκοβ
published in: Research Catalogue
Η αναπνοή και η στάση του σώματος,
για την ιδανική παραγωγή του ήχου με έμφαση στο όμποε.
Συγγράφηκε στα πλαίσια του διδάσκοντος μαθήματος: Παιδαγωγική και Διδακτική Οργάνου ΙΙΙ, του Τμήματος
Μουσικών Σπουδών, του Ιόνιου Πανεπιστημίου, το έτος 2016.
Ο σκοπός της εργασίας είναι διττός, να δοθεί μία σύντομη περιγραφή της λειτουργίας του αναπνευστικού συστήματος με τεκμηριωμένα παραδείγματα, πώς η ''ορθή'' στάση του σώματος επηρεάζει την λειτουργία του αναπνευστικού συστήματος. Αλλά και να συμβάλλει στον τρόπο διδασκαλίας της αναπνοής, για μία ιδανική παραγωγή του ήχου, κυρίως στο όργανο - όμποε, όπου έχει ιδιαίτερα χαρακτηριστικά λόγω της φυσιολογίας του οργάνου.
Επιπλέον, όσον αφορά την τεχνική της αναπνοής δίνει μία εναλλακτική οπτική, πέρα το ''μηχανικό'' στοιχείο της, αλλά περισσότερο ως ένα αναπόσπαστο κομμάτι της μουσικής γλώσσας, με ποιοτικά χαρακτηριστικά. Συμπληρωματικά, παρουσιάζονται διάφορες ασκήσεις για την αναπνοή, με την κάθε άσκηση να αποσκοπεί σε έναν διαφορετικό σκοπό. Οι ασκήσεις κυρίως αφορούν τους ομποΐστες, λόγω του ιδιαίτερου συνδυασμού της αναπνοής με το καλάμι του όμποε και των ποικίλων χαρακτηριστικών του.
Χρήστος Τσόγιας-Ραζάκοβ
Παιδαγωγική και Διδακτική Οργάνου ΙΙΙ.
Κέρκυρα: Ιόνιο Πανεπιστήμιο, 2016.
The primary knowledge about cane, by Theophrastus.
(2022)
author(s): Christos Tsogias-Razakov
published in: Research Catalogue
The following material is a short excerpt from the master’s research exposition: THE IMPORTANCE OF ARUNDO DONAX CANE SELECTION, FOR MANUFACTURERS OF OBOE REEDS (2020) by Christos Tsogias-Razakov. It is mentioned that already from the period of classical antiquity existed methods that helped manufacturers to make playable reeds for the instruments of that time.
Rooms of Resonance
(2022)
author(s): Lars Greve
published in: Rhythmic Music Conservatory, Copenhagen
This is the final exposition for Lars Greves artistic research project "Rooms of Resonance" (2019-21), undertaken at the Rhythmic Conservatory in Copenhagen.
The project seeks to investigate the artistic potentials in Greves acoustic solo improvisations, the concert room's acoustics and selected objects, which are brought into vibration.
Through experiments and procedural concerts, the research has hoisted artistic, technological and methodological experiences which will be unfolded in this exposition.
The Poetics Of A Multiphonic Landscape
(2019)
author(s): Torben Snekkestad
connected to: Rhythmic Music Conservatory, Copenhagen
published in: Research Catalogue
The project is an artistic research project focusing on the saxophones ability to produce multiphonics (multiple sounds on an instrument considered monophonic). It is a personal artistic exploration into the process of unfolding the poetics of these complex sonics and a reflection over the process, methods and the creation of an album trilogy, consisting of acoustic solo music recorded during the research period.
The main question I have been asking myself during this project has been:
What happens if the raw musical material, in the creation of a set of solo saxophone works, is based on the multiphonics only and what this material in itself suggest – possibly independent of any stylistic affiliation?
My main objective was to examine why the saxophone’s multiphonics have such a captivating effect on me. How could I possibly explore their intrinsic qualities and unfold the poetic potential in them? By the same token, my ambition was to find a suitable artistic context for this enamored relationship that so heavily has stirred the waves of my imagination.
In the reflection text on the project, I disclose how some unexpected paths during this pursuit revealed themselves. From sprouting interest toward underwater soundscapes, to the making of a hybrid instrument called reed-trumpet; and how my personal catalog of multiple sounds found its place, not in a public pdf-document or book release, but in a German wooden archive box.
I relay in what way I began to take on the intrinsic qualities of the multiphonics and the reason why an oscillation between artistic intention and action is so pivotal for an improviser. To make sure that the project had this focus at all time I sat up a dogma that contains a list of eight fundamental criteria that manifest the intentions and structure as well as sharpen the working methods.
The following material is a short excerpt from the master’s research exposition: THE IMPORTANCE OF ARUNDO DONAX CANE SELECTION, FOR MANUFACTURERS OF OBOE REEDS (2020) by Christos Tsogias-Razakov. It is mentioned that already from the period of classical antiquity existed methods that helped manufacturers to make playable reeds for the instruments of that time.open exposition comments (0)
This is the final exposition for Lars Greves artistic research project "Rooms of Resonance" (2019-21), undertaken at the Rhythmic Conservatory in Copenhagen. The project seeks to investigate the artistic potentials in Greves acoustic solo improvisations, the concert room's acoustics and selected objects, which are brought into vibration. Through experiments and procedural concerts, the research has hoisted artistic, technological and methodological experiences which will be unfolded in this exposition.open exposition comments (0)