Study of/as Commoning
(2019)
author(s): Anette Baldauf, Vladimir Miller, Annette Krauss, Mara Verlic, Moira Hille, Hong-Kai Wang, Mihret Kebede Alwabie, Julia Wieger, Tesfaye Beri Bekele, Stefan Gruber
published in: Journal for Artistic Research
’Study of/as Commoning’ is one of the outcomes of a research project realized by a group of artists, architects and social theorists at the Academy of Fine Arts Vienna (2014–16). In times of ongoing environmental crisis, violent land grabbing and the aggressive financialisation of space, time and subjectivities, combined with global migration flows, the research group explored the debates on the commons and the different practices of commoning as potentially providing new entry points for a radical repudiation of neoliberalism. To date, the labor and conflicts involved in the process of commoning have chafed against a Western utopian understanding of the commons as a coming together free of friction. We explored commoning as a process, simultaneously made against and within, existing fields of power. As such, ‘Study as/of Commoning’ is part of a much wider endeavour to rethink and undo the methodological premises of Western sciences, arts and architecture, raising unsettling questions on (artistic) research ethics, accountability, and the entanglement of power and knowledge. In this context, ‘Study of/as Commoning’ considers commoning as a possible methodology, a modality of social relations, and the collective state of mind that framed the research group’s work together. Our research continuously encountered the limitations of Western concepts of the commons, framed as an enclosure that neglects conditions of coloniality and colonial dispossession. Is it possible to hold on to the empowering notions of commoning while acknowledging the significant absences within Western accounts on the commons and the many connections between the commons and the history of empire?
A study of two dead trees
(last edited: 2020)
author(s): Iver Uhre Dahl
This exposition is in progress and its share status is: visible to all.
In a forest in the Hague there are two dead trees. The trees are neighbours of similar age. The have fallen over next to each other, felled by the rot of an invading fungi, which also appears long dead. The stumps and the roots, still attached to the ground, have been completely hollowed out by the rot. The hollow extends into the earth, seemingly through the roots.
The dark stumps stand in dark contrast to their vivid surroundings. The holes in them, created by the invading rot, and the dryness of dead wood make for a weird acoustic. It began as an attempt to study them. By drawing, climbing, listening to and singing into them I had hoped to unlock the potential I saw. This document is a journal of my observations on the trees, on my place in the forest and a report on the interventions they inspired.
Beethoven: form and dynamics [Snapshot - 2020-08-02 22:17]
(last edited: 2020)
author(s): Leo Marillier
This exposition is in progress and its share status is: visible to all.
this research explores and weaves its way through Ludwig van Beethoven's two largest violin works, the sonata for piano and violin in A major op.47 and the Concerto for violin and orchestra op.61. Studying carefully and visually the manuscripts gives concrete examples of Beethoven's solutions to large forms through dynamics, rhythmic articulation, since throughout his creative output he delves deeper in creating and controlling his works through these parameters
In a forest in the Hague there are two dead trees. The trees are neighbours of similar age. The have fallen over next to each other, felled by the rot of an invading fungi, which also appears long dead. The stumps and the roots, still attached to the ground, have been completely hollowed out by the rot. The hollow extends into the earth, seemingly through the roots. The dark stumps stand in dark contrast to their vivid surroundings. The holes in them, created by the invading rot, and the dryness of dead wood make for a weird acoustic. It began as an attempt to study them. By drawing, climbing, listening to and singing into them I had hoped to unlock the potential I saw. This document is a journal of my observations on the trees, on my place in the forest and a report on the interventions they inspired.open exposition comments (0)