The poetics of autopoiesis: visual arts, autonomy and artificial intelligence.
(2024)
author(s): bruno caldas
published in: University of the Arts Helsinki
This exposition contains the manuscript and artistic components of the doctoral research project "The poetics of autopoiesis: visual arts, autonomy and artificial intelligence."
The project aimed to explore the limits of creative autonomy in face of recent developments in generative visual artificial intelligence.
Not Even the Dead Will Survive
(2020)
author(s): Adria Julia
published in: Research Catalogue
The Pinacoteca de São Paulo museum, managed by the State of São Paulo Culture and Creative Economy Department, presents from October 26, 2019, to February 16, 2020, the show Adrià Julià: Nem mesmo os mortos sobreviverão [Not Even the Dead Will Survive] — the first solo exhibition of the artist, born in Barcelona in 1974, to be held in Brazil. The show is curated by Fernanda Pitta, the museum’s curator, and artworks will be displayed on the courtyard and in two rooms adjoining the long-term exhibition of Pinacoteca’s collection, on the second floor of the museum building. The works call into question the implications of the techniques of replication, printing and authentication that directed the flow of images in the early days of photography.
Ways of Visiting: non-traditional and peripheral approaches to museums
(2019)
author(s): Bruno Moreschi
published in: RUUKKU - Studies in Artistic Research
This exposition is part of my PhD thesis that discusses the possibilities of building approaches in museological institutions, based on specific case studies that were visited and problematized during the study. The result is an experimental inventory of possibilities for critical action in these legitimating spaces of art and history - with an interest in the decoding of their discourses and strategies, revealing their power games, explicit or implicit, and often moving in the opposite direction to their procedures.
Unrevealed Revelations: Philbert-Kalinda Technique for dance and performance
(last edited: 2023)
author(s): Jamie Philbert
This exposition is in progress and its share status is: visible to all.
This essay provides an introduction to Kalinda and Philbert-Kalinda Technique for dance and performance. It explores the tradition of Kalinda, a sacred martial tradition in Trinidad and Tobago in relation to the creation of a multi-modal pedagogy and performance practice rooted in its form. This multi-modal arts pedagogy and performance practice is freedom based and derives from an African-Caribbean diaspora futuristic ancestral technology.