Research Catalogue

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• 3. X-position Stockholm University of the Arts publication series: X-Position, ISSN 2002-603X;3

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  Monsters I Love: On Multivocal Arts (2019) author(s): Alex Nowitz published in: Stockholm University of the Arts
  Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in Artistic Practices (Performative and Mediated Practices, with specialisations in choreography/film and media/opera /performing arts), it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflective and contextualising texts. Multivocality addresses various models of virtuosity, all of which are informed by a multi-faceted artistic knowledge, whether experimental or experiential, technical or technological, improvisational or compositional. Contemporary vocal performance practices are loaded by questions pertaining to detecting and solving technical issues that span the vocal domains. Through a range of artistic practices—vocal, oral, bodily and technology-related—the research project unfolds what is conceived as a bountiful ‘vocal imaginary’. When voice and body meet technology-related practices that aim at the expansion of the vocal realm by using custom and gesture-controlled live electronics, a performance æsthetics of the in-between emerges. This is explored via the ‘strophonion’, formerly built at STEIM in Amsterdam and, during the course of the PhD, further developed by Berlin-based software programmer Sukandar Kartadinata who created an intricate configuration on the basis of the audio processing application Max/MSP. Through the formulation and performance of ‘The Manifesto for the Multivocal Voice’—a ‘discursive solo performance act’ that aims to provide insights into principles and premises, and to develop the discourse on the politics of today’s performance voice—the exposition attempts to establish a potential theoretical and philosophical grounding for multivocality. Its second major concern relates to the poetics of the voice, investigating the thresholds of highly individualised vocal practices by asking: what are the boundaries of the contemporary performance voice? The exposition (on the Research Catalogue) comprises video and audio documentation of public live performances, lectures and artists’ talks as well as studio productions and rehearsals. The user is invited to study scores and various texts, such as poems, extended programme notes, translations, performance instructions, comments and other reflections. The collection of essays and articles that guide the user through the edifice of ideas that the artistic research project has unveiled remains central to the endeavour.
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  Practicing art - as a habit? / Att utöva konst - som en vana? (2017) author(s): Annette Arlander connected to: Stockholm University of the Arts published in: Ruukku Studies in Artistic Research
  This bilingual exposition (English and Swedish) presents and problematizes the relationship between artistic practice and habit, describing two projects that deal with repetition and place. The projects 'Solsidan' and 'Summer at Söder' were undertaken during the years 2015-2016 in Stockholm. The idea of repetition and returning to the same site were crucial, as in much of my previous works. Unlike them, neither of these two projects involved performances for camera; in both the actual practice consisted of video recording the view. The shift in emphasis from an artistic practice aiming to produce an artwork, into an activity undertaken mainly as an exercise, an activity, could be seen as a strand in the general trend in contemporary art since the 1960s and accentuated in this century towards valuing the 'working' of art above the work of art as an object. This trend can also be related to research and linked to the preference for various terms like practice as research, performance as research, creative arts research or, indeed, artistic research. - This exposition combines a description of the actual practice, with an encounter with the material generated through that practice and proposes that these works can exemplify artistic research as a speculative practice.
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  Working With a Witches’ Broom / Att Arbeta med en Markvast (2015) author(s): Annette Arlander connected to: Stockholm University of the Arts published in: Ruukku Studies in Artistic Research
  This exposition explores the specific materiality that a Witches’ Broom offers for performance-based artworks, referring to ideas on plant-thinking by Michael Marder (2013) and on vibrant matter by Jane Bennett (2010). A witches’ broom, Taphrina betulina, is a fungus that afflicts certain birch trees and causes outgrowths of small twigs. With such a bunch of sticks I performed for camera and live on several occasions during the years 2006-2008 creating variations with only a few elements. Working with various materials – organic matter, digital moving images and recorded speech – and the various combinations of them, including the versions discarded during the process, provides a starting point for looking at the small transformations that produce difference and for proposing variation as one of the basic methods for artistic research.
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  ArtNews_Mediaborgarna (last edited: 2019) author(s): My Häggbom connected to: Stockholm University of the Arts This exposition is in progress.
  ArtNews re-gestaltar nyhetsberättelser i konstnärlig form i samarbete med olika konstnärer. Vi undersöker vad som kan uppstå i mellanrummet och mötet mellan konst och journalistiken. Konstnärligt forskningsprojekt inom Stockholm University of the Arts ArtNews re-designs news stories in artistic form in collaboration with various artists. We investigate the space between art and journalism. Artistic research project at Stockholm University of the Arts
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  Climate Just Worldings (last edited: 2019) author(s): Lina Persson connected to: Stockholm University of the Arts This exposition is in progress.
  What would it mean to my artistic practice if there was a built-in limitation for me to use more resources than my share? What would a world look like, where future generations could access and confront the present with its overdraw of resources? Through different forms of “worldbuilding” like the film industry’s “storyworlds” and the “worldings” of material feminist theory these questions will be investigated.
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  Onsdagsseminarier // Wednesday seminars (last edited: 2019) author(s): Heidi Möller connected to: Stockholm University of the Arts This exposition is in progress.
  News about internal seminars at Stockholm University of the Arts. Internal seminars are only open for those studying and working at the university.
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