Research Catalogue

Performatorium has been following a performance in public space, which took place on the 21st September 2024 in the framework of ‘4 Dimensions Ybbs’.

Phantastic Fake News ist ein Kunstprojekt des Performatoriums (Olivia Jaques/Marlies Surtmann) mit Jugendlichen des JUK-Zwentendorf. Gemeinsam machten wir uns auf die Suche nach Geschichten, die im Ort spielen, egal ob wahr oder fantastisch. Ausgangspunkte waren die Lieblingsorte Orte der Befragten. Das Projekt wurde im Rahmen von Stadt-Raum-Welt-What? 2025, einer Projektreihe von Kunst im öffentlichen Raum Niederösterreich in Kooperation mit dem JUK Zwentendorf realisiert. *** Phantastic Fake News is an art project by Performatorium (Olivia Jaques/Marlies Surtmann) with teenagers from JUK Zwentendorf. Together, we set out to find stories set in the town, whether true or fantastical. The starting points were the respondents' favourite places. The project was realised as part of Stadt-Raum-Welt-What? 2025 by Kunst im öffentlichen Raum Niederösterreich in cooperation with JUK Zwentendorf.

Who or what carries, develops and transmits knowledge when it comes to performance and socially engaged art? An institution? An archive? A body? A collective body? A teacher? A website? A hard-drive? A box? ARCHIVES IN PRACTICE investigates methods for how to better include intersubjective and embodied knowledge inside archival practice. The research is especially devoted to socially engaged performance art whose participatory and often delicate practice is difficult to document. The methods of performative archiving will be based on two case studies in collaboration with APL - Angewandte Performance Laboratory and Raw Matters. Rather than a well organised storage we imagine the archive as a vibrant memory field. A place where concentrates (Konzentrate) of practice can be planted and where we activate and also continue the traces and artistic thinking of our peers. The idea of a concentrate has its roots in the three main researchers transdisciplinary and continuously developing performative archival practices; such as the Scenario Method – whereby past events can be artistically examined and recreated (Performatorium) and Living Documents – where performing in a loop is explored as a live documentation format (Ruth & Grünbühel). Through a concluding dialogue with archivists the methods of concentrates as a performative archiving practice will be evaluated and its compatibility with traditional archival logics will be tested. The long term aim is to support horizontal and sustainable transmission of knowledge developed within performative practice and explore how institutions and art educations, such as the University of Applied Arts can better include social and embodied knowledge in its ongoing programming and curriculum.

PERFORMATORIUM is an artist-researcher duo (Olivia Jaques/Marlies Surtmann) as well as a laboratory for practice-oriented research with and through artistic means. Jaques/Surtmann have been working together since 2012: As part of the artist-curator collective Friday Exit (2012-2016), they experimented with various exhibition and discursive formats, ran a book club and founded Performatorium in 2017. One focus of the Performatorium is the interconnectedness of the local performance landscape in Vienna. Up to 2020, it offered space for joint experimentation and exchange as an independent, queer*feminist platform for performance. Currently the Performatorium explores the artistic realm as a laboratory by developing artistic performative research methods, activating and updating past performances.